Main Article Content
We have the same enemy and the same motherland – the sentence by Vinko Nikolić is the essential one to describe his life, creativeness and a tragedy of the entity. This poet and emigre activist is well-known person in Republic of Croatia due to the loyalty to native culture and literature but also because being a controversial figure linked with the ultranationalist organization of Croatian Revolutionary Movement – Ustaša (which used to rule in Independent State of Croatia during World War II). The aim of the article is to show how Nikolić had become one of the most important Croat abroad during the existence of Socialist Federal Republic of Yugoslavia, how his connotations with Nazis really looked and how he changed views on the independence during being out of Croatia for almost 50 years.
This work is licensed under a Creative Commons Attribution-NoDerivatives 4.0 International License.
- The Author hereby warrants that he/she is the owner of all the copyright and other intellectual property rights in the Work and that, within the scope of the present Agreement, the paper does not infringe the legal rights of another person.The owner of the copyright work also warrants that he/she is the sole and original creator thereof and that is not bound by any legal constraints in regard to the use or sale of the work.
- The Author grants the Purchaser non-exclusive and free of charge license to unlimited use worldwide over an unspecified period of time in the following areas of exploitation:
2.1. production of multiple copies of the Work produced according to the specific application of a given technology, including printing, reproduction of graphics through mechanical or electrical means (reprography) and digital technology;
2.2. marketing authorisation, loan or lease of the original or copies thereof;
2.3. public performance, public performance in the broadcast, video screening, media enhancements as well as broadcasting and rebroadcasting, made available to the public in such a way that members of the public may access the Work from a place and at a time individually chosen by them;
2.4. inclusion of the Work into a collective work (i.e. with a number of contributions);
2.5. inclusion of the Work in the electronic version to be offered on an electronic platform, or any other conceivable introduction of the Work in its electronic version to the Internet;
2.6. dissemination of electronic versions of the Work in its electronic version online, in a collective work or independently;
2.7. making the Work in the electronic version available to the public in such a way that members of the public may access the Work from a place and at a time individually chosen by them, in particular by making it accessible via the Internet, Intranet, Extranet;
2.8. making the Work available according to appropriate license pattern Attribution-NoDerivatives 4.0 International (CC BY-ND 4.0) as well as another language version of this license or any later version published by Creative Commons.
- The Author grants the Adam Mickiewicz University in Poznan permission to:
3.1. reproduce a single copy (print or download) and royalty-free use and disposal of rights to compilations of the Work and these compilations.
3.2. send metadata files related to the Work, including to commercial and non-commercial journal-indexing databases.
- The Author declares that, on the basis of the license granted in the present Agreement, the Purchaser is entitled and obliged to allow third parties to obtain further licenses (sublicenses) to the Work and to other materials, including derivatives thereof or compilations made based on or including the Work, whereas the provisions of such sub-licenses will be the same as with the attributed license pattern Attribution-NoDerivatives 4.0 International (CC BY-ND 4.0) or another language version of this license, or any later version of this license published by Creative Commons. Thereby, the Author entitles all interested parties to use the work, for non-commercial purposes only, under the following conditions:
4.1. acknowledgment of authorship, i.e. observing the obligation to provide, along with the distributed work, information about the author, title, source (link to the original Work, DOI) and of the license itself.
4.2. the derivatives of the Work are subject to the same conditions, i.e. they may be published only based on a licence which would be identical to the one granting access to the original Work.
- The University of Adam Mickiewicz in Poznań is obliged to
5.1. make the Work available to the public in such a way that members of the public may access the Work from a place and at a time individually chosen by them, without any technological constraints;
5.2. appropriately inform members of the public to whom the Work is to be made available about sublicenses in such a way as to ensure that all parties are properly informed (appropriate informing messages).
- The University of Adam Mickiewicz in Poznań hereby preserves the copyright to the journal as a whole (layout/stylesheet, graphics, cover design, logo etc.)
- Donat B., Ideje ustaškog pokreta i njihovo tumačenje u djelima ideologa i književnika w: Radovi Leksikogravskog zavoda Miroslav Krleža – Razdio za društvene i humanističke znanosti, red. D. Brozović, Zagreb 1995; http://www.enciklopedija.hr/natuknica.aspxhttp://www.lzmk.hr/33-projekti/radovi-leksikografskoga-zavoda-miroslav-krleza/259-radovi-leksikografskoga-zavoda-miroslav-krleza-4?ID=26416 [dostęp: 17 kwietnia 2018].
- Goldstein I., Goldstein S., Jasenovac i Bleiburg nisu iso, Zagreb 2011, s. 313-317.
- Heges C., Fascists Reborn as Croatia's Founding Fathers, “New York Times”, 12th of April 1997; https://www.nytimes.com/1997/04/12/world/fascists-reborn-as-croatia-s-founding-fathers.html [dostęp: 18 kwietnia 2018].
- Hrvatska enciklopedija; http://www.enciklopedija.hr/natuknica.aspx?ID=26416 [dostęp: 17 kwietnia 2018].
- Hrvatska revija – Jubilarni zbornik 1951-1975, red. V. Nikolić, München-Barcelona 1976.
- Irvine J.A., Tito, Hebrang i hrvatsko pitanje, 1943.-1944. w: "Časopis za suvremenu povijest", Vol. 24, No. 1, Zagreb 1992.
- Grubišić V., Hrvatska književnost u egzilu, Knjižnica Hrvatske revije, Barcelona-München 1991.
- „Hrvatska revija (kulturno – književni tromjesečnik: pokrenut godine 1951)” 1990, R. 40, nr 1 (München-Barcelona).
- Jadranić B., Stajališta Hrvatske političke emigracije o hrvatskom proljeću iznesena u najznačajnijem emigrentskom časopisu Hrvatskoj reviji, „Časopis za suvremenu povijest” 2003, t. 35, nr 2; https://hrcak.srce.hr/index.php?show=clanak&id_clanak_jezik=150301 [dostęp: 17 kwietnia 2018].
- Jakir A., Vulić P., Recepcija Bleiburga u hrvatskoj javnosti kao tema povijesnog istraživanja, „Zbornik radova Filozofskog fakulteta u Splitu” 2016, nr 6-7; https://hrcak.srce.hr/index.php?show=clanak&id_clanak_jezik=227856 [dostęp: 20 kwietnia 2018].
- Jelčić D., Predgovor w: Vladimir Kovačić, Vinko Nikolić – Izabrana djela, Stoljeća hrvatske književnosti, red. V. Pavletić, przyg. D. Jelčić, Zagreb 1997, t. 21.
- Jelić-Butić F., Ustaše i Nezavisna Država Hrvatska 1941-1945, Zagreb 1977.
- Kovačić V., Nikolić V., Izabrana djela. Stoljeća hrvatske književnosti, red. V. Pavletić, przyg. D. Jelčić, Zagreb 1997, t. 21.
- Mirth K., S Nikolićeva puta povratka domovini s hrvatskom revijom, "Hrvatska revija" 1997, nr 47, s. 435-445.
- Nikolić V., Molitva za moju Hrvatsku, Buenos Aires 1949.
- Nikolić V., Predgovor, w: V. Grubišić, Hrvatska književnost u egzilu, Barcelona-München 1991.
- Nikolić V., Predgovor w: Hrvatska revija – Jubilarni zbornik 1951-1975, red. V. Nikolić, München-Barcelona 1976.
- Tko je tko u NDH - Hrvatska 1941-1945, red. Z. Dizdar, M. Grčić, S. Ravlić, D. Stuparić, Zagreb 1997.
- Yeomans R., Army Educators and the Making of a “Total Man” in Late Fascist Croatia, Rory Yeomans w: The "New Man" in Radical Right Ideology and Practice, 1919-45, M. Feldman, J. Dagnino, P. Stocker, London 2018.
- Yeomans R., Cults of Death and Fantasies of Annihilation: the Croatian Ustasha Movement in Power, 1941-1945 w: “Central Europe” 2005, t. 3, nr 2; https://www.academia.edu/8131714/Cults_of_Death_and_Fantasies_of_Annihilation_The_Croatian_Ustasha_Movement_in_Power_1941_45 [dostęp: 17 lutego 2019].
- Zacharias M.J., Chorwacka "wiosna" i serbski "liberalizm": konflikty polityczne w Jugosławii na początku lat siedemdziesiątych, „Dzieje Najnowsze” 2000, t. 32, nr 2; http://bazhum.muzhp.pl/czasopismo/309/?idno=1643 [dostęp: 17 kwietnia 2018].