Abstract
This article attempts to interpret the performative aspects of Nick Cave’s singing and song lyrics written in collaboration with the guitarist Rowland Stuart Howard (1959–2009), Mick Harvey, Vincent Eugene Craddock (also known as Gene Vincent) and William Douchette (also known as Bill Davis). I focus specifically on the album The Birthday Party (1980) which Nick Cave recorded together with his band The Birthday Party. This analysis, representative of rock song lyrics studies, is a receptive trace and a reflection on the beginnings of this outstanding songwriter, rock musician, and singer’s career. I argue that the Australian singer, beginning with the first recordings with the band The Boys Next Door (Door, Door from 1979), writes about love, pain, and loneliness, and show how each new album by the author of Into My Arms records the experience of longing. The Birthday Party, therefore, is no different; it expresses regret and sadness – the feelings of the author/singer, the narrating/singing “I,” the lyrical and the musical persona or, in other words, the singing and performing subject. Cave’s signing is a metaphor for the habitus of punk song miniatures, which are lyrical and vocal expressions of rebellion, filled with irony, while the main principle of the poetics of these works is the grotesque.
References
Barthes, Roland. „Ziarno głosu”. Tłum. Jakub Momro. Teksty Drugie 5 (2015): 229–237.
„The Birthday Party”. Genius. https://genius.com/artists/The-birthday-party. Dostęp 22.02.2022.
Dalziell, Tanya, Karen Welberry, red. Cultural Seeds. Essays on the Work of Nick Cave. Farnham: Ashgate Publishing Limited, 2009.
Idiot Prayer: Nick Cave Alone at Alexandra Palace. Trafalgar Releasing, 2020.
„Lyrics”. Nick Cave, https://www.nickcave.com/lyrics/. Dostęp 22.02.2022.
Mayall, Prick. „Boys Next Door lyrics”. Live Journal, 10 July 2009. https://mick-harvey.livejournal.com/10656.html. Dostęp 22.02.2022.
Michałowski, Piotr. „Miniatura poetycka”. Pamiętnik Literacki 2 (1994): 116–135.
„Mikropoetyka”. Forum Poetyki wiosna/lato, 2017.
Robbins, Ira, David Sheridan. Birthday Party. https://trouserpress.com/reviews/birthday-party/. Dostęp 23.02.2022.
Tański, Paweł. „Antropologia słowa Nicka Cave’a na jego debiutanckiej płycie z zespołem The Bad Seeds From Her to Eternity (1984)”. Kultura Współczesna 2 (2021): 31–47.
Tański, Paweł. „Przykładam do ucha torbę na pawia: Nick Cave i tęsknota”. W tegoż: Głosy i performanse tekstów: Literatura – piosenki – ciało, 77–80. Toruń: Wydawnictwo Naukowe UMK, 2021.
Tański, Paweł. „«Sound of her name». Interpretacja tekstów piosenek z debiutanckiej płyty Door, Door Nicka Cave’a z zespołem The Boys Next Door”. Czas Kultury 3 (2021): 31–40
License
Authors of articles are responsible for securing the rights to other publications (texts, tables, drawings and other illustrations) quoted or reproduced in their texts.