Słowa kluczowe
Marine observations
Ocean literacy
Anthropocene
Plastiglomerate
Plasma Rock
Jak cytować
Abstrakt
This study is devoted to three artistic projects based on debris found on the shores of the seas and oceans: plastiglomerates discovered in Hawaii by Kelly Jazvac, recycled waste projects off the coast of river Thames by Inge Sluijs, and plastic waste from the coasts of Norway gathered by Þóra Pétursdóttir. The analyzed works are manifestations of the trend called “new materiality” in art. The artists’ goal is to encourage rethinking the status of objects of natural origin that surround us in the context of social relations, especially in the perspective of the nature/culture dichotomy. Cultural objects of natural origin are the result of human action. Stone and mineral formations are a special example in art practice. They can be studied due to their physical properties, but transformed due to contemporary climate change and pollution they turn into an object proving the cultural transformation of the environment. For this reason, stones found in coastal areas can no longer be considered as raw material for geologists, but as part of human life. The innovative and creative presentation of objects at exhibitions in the galleries and museums allows the wide audience to understand the relationship between human activities in the environment and its effects on material changes. By focusing on the physical dimension of the matter used, the artists emphasize the role of marine science and comment on socio-political agencies of things, as well as indicate the need for public engagement in activities for marine issues.
Bibliografia
Bakke M., Bio-transfiguracje. Sztuka i estetyka posthumanizmu, Wydawnictwo Naukowe UAM, Poznań 2010.
Belting H., Antropologia obrazu. Szkice do nauki o obrazie, transl. M. Bryl, TAiWPN Universitas, Kraków 2007.
Boysen B., The embarrassment of being human. A critique of new materialism and object-oriented ontology, “Orbis Litterarum” 2018, no. 73, doi: 10.1111/oli.12174
Braidotti R., Critical Posthuman Knowledges, “South Atlantic Quarterly” 2017, vol. 116, no. 1 (January), doi:10.1215/00382876-3749337.
Cole A., The Call of Things: A Critique of Object-Oriented Ontologies, “The Minnesota Review” 2013, 1 May (80), doi: 10.1215/00265667-2018414.
Corcoran P.L., Moore Ch.L., Jazvac K., An Anthropogenic Marker Horizon in the Future Rock Record., “GSA Today” 2014, no. 24(6), doi:10.1130/GSAT-G198A.1.
Costa S., Caldeira R., Bibliometric Analysis of Ocean Literacy: An Underrated Term in the Scientific Literature, “Marine Policy” 2018, no. 87 (January 1), doi:10.1016/j.marpol.2017.10.022.
Cotton Ch., The Photograph as Contemporary Art, Thames & Hudson, London 2004.
DeLanda M., Assemblage Theory. Speculative Realism, EUP, Edinburgh 2016.
Deleuze G., Guattari F., A thousand plateaus: capitalism and schizophrenia, transl. and forew. by B. Massumi, The Athlone Press Ltd., London 1988.
Eriksen M., The Plastisphere – The Making of a Plasticized World, “Tulane Environmental Law Journal” 2014, no. 27(2).
Faure F., Saini C., Potter G., Galgani F., de Alencastro L.F., Hagmann P., An Evaluation of Surface Micro- and Mesoplastic Pollution in Pelagic Ecosystems of the Western Mediterranean Sea, “Environmental Science and Pollution Research” 2015, no. 22(16), doi: 10.1007/s11356-015-4453-3.
Ferraris M., Harman G., De Sanctis S., Manifesto of New Realism, Albany, SUNY Press, NY 2014.
Gropius W., Scope of Total Architecture, Collier Books, New York 1962.
Haraway D., Encounters with Companion Species: Entangling Dogs, Baboons, Philosophers, and Biologists, “Configurations” 2006, no. 14(1), doi:10.1353/con.0.0002.
Harman G., The Quadruple Object, John Hunt Publishing, Ropley 2011.
Haynes D.J., New Materialism? Or, The Uses of Theory, in: The Art of the Real: Visual Studies and New Materialisms, eds R. Rothman and I. Verstegen, Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne 2015.
Huyssen A., Present Pasts. Urban Palimpsests and the Politics of Memory, Stanford Univ. Press, Stanford, Ca. 2003.
Ingold T., Materials against materialism, “Archeological Dialogues” 2007, no. 14(1), doi:10. 1017/S1380203807002127.
Kluszczyński R.W., Trzecia kultura. O współczesnych związkach sztuki, nauk i technologii, “Przegląd Kulturoznawczy” 2011, no. 9(1), Wydawnictwo Uniwersytetu Jagiellońskiego.
Krauss R.E., The originality of the avant-garde and other modernists myths, The MIT Press., Cambridge, Mass, London 1987.
Latour B., Politics of Nature, Harvard University Press, Cambridge, Mass., 2004.
Latour B., Agency at the Time of the Anthropocene, “New Literary History” 2014, no. 45(1).
Malina R.F., Third Culture? From the Arts to the Sciences and Back Again, “Technoetic Arts: A Journal of Speculative Research” 2012, 10(2/3), doi:10.1386/tear.10.2-3.179_1.
Mat N.H., Pedagogical Functions of Documentary in Preserving Marine Life, Annual International Conference on Journalism & Mass Communications, 2017, doi: 10.5176/2301-3710_JMComm17.12.
Michałowska M., Krajobraz krytyczny w polskiej fotografii – geografie peryferii, “Zeszyty Artystyczne” 2020, no. 1(37).
Myers W., Bio Design Nature Science Creativity, Thames & Hudson Ltd., London 2014.
Nesbit M., Ready-Made Originals: The Duchamp Model, 1986, “October” 1986, no. 37, doi:10.2307/ 778518.
New Materialisms: Ontology, Agency, and Politics, eds Coole D., Frost S., Duke University Press, Durham–London 2010.
Olsen B., Archaeology: The Discipline of Things, University of California Press, Berkeley 2012.
Olsen B., Pétursdóttir Þ., Unruly Heritage: Tracing Legacies in the Anthropocene, “Arkæologisk Forum” 2016, no. 35.
Pétursdóttir Þ., Climate change? Archaeology and Anthropocene, “Archaeological Dialogues” 2017, no. 2(24), doi.org/10.1017/S1380203817000216.
Posthuman Ecologies: Complexity and Process After Deleuze, eds R. Braidotti, S. Bignall, Rowman & Littlefield Publishers, London 2019.
Santoro F., Santin S., Scowcroft G., Fauville G., Tuddenham P., Ocean literacy for all – a toolkit, Paris: IOC/UNESCO &UNESCO Venice Office (IOC Manuals and Guides, 80 revised in 2018), 2017, https://unesdoc.unesco.org/ark:/48223/pf0000260721 [access: 20.06.2020].
Schaumann C., Speaking Stones: Material Agency and Interaction in Christian Enzensberger’s Geschichte der Natur, in: German Ecocriticism in the Anthropocene. Literatures, Cultures, and the Environment, eds C. Schaumann, and H.I. Sullivan H.I. (Palgrave Macmillan US), 2017, doi: 10.1057/978-1-137-54222-9_10.
Snow C.P., The Two Cultures. Leonardo, Vol. 23, No. 2/3, New Foundations: Classroom Lessons inArt/Science/Technology for the 1990s., 1990.
Tilley Ch., Interpreting Landscapes: Geologies, Topographies, Identities; Explorations in Landscape Phenomenology 3, Routledge, Walnut Creek 2010.
Uehara T., Sakurai R., Tsuge T., Cultivating relational values and sustaining socio-ecological production landscapes through ocean literacy: a study on Satoumi, “Environ. Dev. Sustain.” 2020, no. 22, doi: 10.1007/s10668-018-0226-8.
Licencja
Czasopismo oraz wszystkie zamieszczone w nim materiały są powszechnie dostępne i mogą być wykorzystywane do celów naukowych, edukacyjnych, poznawczych i niekomercyjnych bez konieczności uzyskiwania każdorazowej zgody autorów i redakcji. Nadesłanie artykułu do publikacji traktowane jest jako zgoda autora na udostępnienie swojej pracy i informacji w niej zawartych do powyżej wymienionych celów. W takich przypadkach należy jedynie wskazać źródło, z którego zaczerpnięte zostały informacje. Pobieranie opłat za dostęp do materiałów zawartych w czasopiśmie lub ograniczanie do niego dostępu jest zabronione.
Przesyłane do redakcji teksty muszą stanowić oryginalne prace, uprzednio nigdzie niepublikowane ani nie przedkładane innym redakcjom lub wydawcom. Autorzy nadsyłanych artykułów ponoszą odpowiedzialność za uzyskanie zezwoleń na publikowanie materiałów, do których prawa autorskie są w posiadaniu osób trzecich. Publikacja materiałów chronionych prawem autorskim jest możliwa pod warunkiem uprzedniego dostarczenia przez autora do redakcji pisemnej zgody właściciela praw autorskich.