Vol. 20 (2020)

Published 2020 December 31

Articles

Thomas R. Moore

9-20

Tools of the trade: click-tracks and conductors

https://doi.org/10.14746/ism.2020.20.1

pdf (Język Polski)

Małgorzata A. Szyszkowska

21-32

Narrative moment. Musical performance according to Lawrence Kramer and James Baldwin

https://doi.org/10.14746/ism.2020.20.2

pdf (Język Polski)

Eliza Krupińska

33-40

Back to structures and signs – remarks on the possibilities of structural aesthetics of music

https://doi.org/10.14746/ism.2020.20.3

pdf (Język Polski)

Magdalena Stochniol

41-50

Intercultural musical dialogue in St John Passion by Sofia Gubaidulina

https://doi.org/10.14746/ism.2020.20.4

pdf (Język Polski)

Piotr Przybysz

51-63

Art and emotion: the variety of aesthetic emotions and their internal dynamics

https://doi.org/10.14746/ism.2020.20.5

pdf (Język Polski)

Filipa Magalhães

64-78

Philology as a systematic method of documentation and its application to the study of Constança Capdeville’s musical works

https://doi.org/10.14746/ism.2020.20.6

pdf (Język Polski)

Mattia Merlini

79-94

A critical (and interdisciplinary) survey of popular music genre theories

https://doi.org/10.14746/ism.2020.20.7

pdf (Język Polski)

Reviews

Stefania Zielonka

97-105

Musemes in affect. Philip Tagg’s model of music analysis

https://doi.org/10.14746/ism.2020.20.8

pdf (Język Polski)

Danuta Gwizdalanka

106-111

Musicians move about

https://doi.org/10.14746/ism.2020.20.9

pdf (Język Polski)