Odwołania do idei cykliczności w filmie „Wygnanie” Andrieja Zwiagincewa

Abstract

The aim of this article is to show how the idea of cyclicality functions in the artistic world of The Banishment, directed by Andrei Zvyagintsev. We try to show that this idea works in conjunction with biblical motifs, but is also visible in a broader mythical-anthropological context. This idea is inseparably linked with the motive of the border, which is floating by its nature. We also try to put emphasis on the Zvyagintsev’sartistic method.