Keywords
Counter-culture
punk
cyber punk
pop-art
Apocalypse
How to Cite
Abstract
The author presents poetry by Kamila Janiak in the context of avant-guard pop-culture. She deals mainly with punk and cyber-punk motifs of this poetry, which alow to understand them as a feminist, post-human and anty-capitalist project. She shows how Janiak for her purposes uses d.tournements: she takes on the one hand principles, which rule in the “controlled societies” and on the other hand pop-culture aesthetics and psychodelic rock music.References
Bratkowski Piotr (2016), Punk rock i Sex Pistols. Spektakl żywych lalek, 27 sierpnia, http://www.newsweek.pl/kultura/live-76-sex-pistols-40-lat-punk-rocka-rewolucja-punkowa-,artykuly,396078,1.html [dostęp: 20 lutego 2017].
Janiak Kamila (2007), Frajerom śmierć i inne historie, Staromiejski Dom Kultury, Warszawa.
Janiak Kamila (2009), kto zabił bambi?, Fundalcja Mammal, Warszawa.
Janiak Kamila (2016), zwęglona Jantar, Staromiejski Dom Kultury, Warszawa.
Kaczmarski Paweł, Koronkiewicz Marta, red. (2016), Zebrało się śliny, Biuro Literackie, Stronie Śląskie.
Latour Bruno (2010), Splatając na nowo to, co społeczne: wprowadzenie do teorii aktora-sieci, wstęp Krzysztof Arbiszewski, przeł. Aleksandra Derra, Krzysztof Arbiszewski, Universitas, Kraków.
Paz Octavio (1991), Labirynt samotności, przeł. Jan Zych, Wydawnictwo Literackie, Kraków.
Savage Jon (2013), England’s Dreaming. Sex Pistols i punk rock, przeł. Marta Marciniak, Axis Mundi, Warszawa.
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