Keywords
mimesis
words
objects
absolute
nothing
Barańczak
How to Cite
Abstract
The article aims to outline the presence of a metaphysical perspective in Stanisław Barańczak’s poems which is already present in the poet’s earliest works. Barańczak outlines this process in his debut collection. His translation achievements support the presence of a metaphysical perspective in his original poems, and the mutual dependence of his poetry writing and translation can already be clearly felt in his initial works. The article compares the views of poets from generations younger than Barańczak’s and their reactions to the work of the author of A Postcard from the Other World (Widokówka z tego świata).
References
Barańczak Stanisław (2006a), Bez powrotu, w: tegoż, Wiersze zebrane, a5, Kraków, s. 13.
Barańczak Stanisław (2006b), Nagryzmolony, tak, i ręką niezbyt pewną, w: Wiersze zebrane, a5, Kraków, s. 33.
Barańczak Stanisław (2006c), Pusty, w: tegoż, Wiersze zebrane, a5, Kraków, s. 16.
Barańczak Stanisław (2006d), Twarze jezior, twarze drzew, w: tegoż, Wiersze zebrane, a5, Kraków, s. 19.
Barańczak Stanisław (2006e), Widokówka z tego świata, w: tegoż, Wiersze zebrane, a5, Kraków, s. 362.
Podsiadło Jacek (2016), Wiersze. Wszystkie, Bez napiwku, Opole.
Świetlicki Marcin (1990), Koniec lat osiemdziesiątych, „Pogoda bardziej niż polityka wpływa na poezję w NaGłos” [ankieta], „NaGłos”, nr 2 (27), s. 110-113.
Świetlicki Marcin (1992), Zimne kraje, Fundacja bruLionu, Warszawa–Kraków.
Wirpsza Witold, Balcerzan Edward (2008), Listy W. Wirpszy do E. Balcerzana, „Arkadia. Pismo Katastroficzne”, nr 23-24, s. 126-127.
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