Abstract
The present sketch proposes an interpretation of one of the most important poems of the early poetry written by Marcin Świetlicki. At the same time, the reading of the poem is paired with a simultaneous analytical interpretation providing the standard analytical scheme usually applied to any poetical work (this scheme is based on a sequence of recognitions that refer to: 1. writing, 2. euphony, 3. semantics of spaces concentrated with meaning, 4. the structure of the presented world. A presentation of the four fundamental steps in the analysis is accompanied with a reflection on the paradox of interpretation, the corresponding model of which is in the poem the outlined mirror image of identity between the “opaque” depth and “overt” surface.
References
Barthes R., Krytyka i prawda, przeł. W. Błońska, w: Współczesna teoria badań literackich za granicą. Antologia, oprac. H. Markiewicz, t. 2: Strukturalno-semiotyczne badania literackie. Literaturoznawstwo porównawcze. W kręgu psychologii głębi i mitologii, Kraków 1976.
Stala M., Jedzenie hamburgerów. O jednym wierszu Marcina Świetlickiego, w: idem, Druga strona. Szkice o poezji współczesnej, Kraków 1997.
Świetlicki M., Nieczynny, Warszawa 2003.
Świetlicki M., Zimne kraje. Wiersze 1980–1990, Kraków–Warszawa 1992.
Świetlicki M., Zimne kraje 2, Kraków 1995.
Świetlicki M., 37 wierszy o wódce i papierosach, Bydgoszcz 1996.
Świetlicki M., 49 wierszy o wódce i papierosach, Wrocław 2004.
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