Versions
- 2022-10-26 (2)
- 2022-09-30 (1)
Keywords
contemporary opera
gender
sexuality
How to Cite
Abstract
The aim of the article is to analyse two British contemporary operas: Thomas Adès’s Powder Her Face and Mark Anthony Turnage’s Anna Nicole from the perspective of celebrity studies. Both of these works were inspired by the biographies of celebrities – Margaret Campbell, Duchess of Argyll’s and Anna Nicole Smith’s. The text analyses how their biographies were edited both in literary and musical terms, attempting to determine to what extent they are either pioneering or embedded in the traditions of the opera.
References
Adès Thomas (2015), Śmierć jest poza sceną, rozm. przepr. Aleksander Laskowski, w: Powder Her Face, [program Teatru Wielkiego – Opery Narodowej], Warszawa, s. 19–21.
Adorno Theodor, Horkheimer Max (1994), Dialektyka oświecenia,przeł. Małgorzata Łukasiewicz, Wydawnictwo IFiS PAN, Warszawa.
Bolin Alice (2018), Dead Girls: Essays on Surviving an American Obsession, William Morrow and Company, New York.
Boorstin Daniel Joseph (1961), The Image: A Guide to Pseud-Events in America, Vintage, New York.
Brown Jeffrey A. (2005), Class and Feminine Excess: The Strange Case of Anna Nicole Smith, „Feminist Review”, nr 82, s. 74–94, https://doi.org/10.1057/palgrave.fr.9400240.
Cashmore Ellis (2006), Celebrity/Culture, Routledge, London, https://doi.org/10.4324/9780203962916.
Costa Reis Vera Jerosch Herold da (2015), „Anna Nicole”: An Opera (?) Between Tradition and Transgression: A Multidisciplinary and Transdisciplinary Enquiry into an Ambiguous Work, [praca magisterska], Uniwersytet Katolicki Portugalii, Porto, [dostęp: 6 lipca 2022], https://tinyurl.com/ms6ub53p.
Cowgill Rachel, Poriss Hilary, red. (2012), The Arts of the Prima Donna in the Long Nineteenth Century, Oxford University Press, Oxford, https://doi.org/10.1093/acprof:oso/9780195365870.001.0001.
„Den Raum für… (1997), „Neue Zeitschrift für Musik”, vol. 158, nr 4, s. 26–29.
Dyer Richard (1980), Stars, Bloomsbury Academic, London.
Elliott Anthony, red. (2018), Routledge Handbook of Celebrity Studies, Routledge, London, https://doi.org/10.4324/9781315776774.
Garland Robert (2010), Celebrity Ancient and Modern, „Society”, nr 47, s. 484–488, https://doi.org/10.1007/s12115-010-9365-8.
Gmys Marcin (2015), Dura sex, sed sex, czyli ostatnie tango w Londynie, w: Powder Her Face, [program Teatru Wielkiego – Opery Narodowej], Warszawa, s. 11–17.
Godzic Wiesław (2007), Znani z tego, że są znani. Celebryci w kulturze tabloidów, Wydawnictwa Akademickie i Profesjonalne, Warszawa.
Godzic Wiesław i in. (2019), Celebryci w polskiej przestrzeni medialnej i społecznej. Badanie interdyscyplinarne, Uniwersytet SWPS, Warszawa, [dostęp: 6 lipca 2022], https://tinyurl.com/yfbtdd9d.
Graff Agnieszka (2015), Efekt plugawej księżnej, czyli sława, seks i wstyd, w: Powder Her Face, [program Teatru Wielkiego – Opery Narodowej], Warszawa, s. 23–25.
Grange Elisabeth C (2015), Aspects of celebrity in three recent British operas, [praca magisterska], University of Manchester, Manchester.
Hensher Philip (2008), Sex, powder and Polaroids, „The Guardian”, 29 maja, [dostęp: 11 kwietnia 2022], https://tinyurl.com/yxrzwwnv.
Krieken Robert van (2018), Celebrity’s Histories, w: Routledge Handbook of Celebrity Studies, red. Anthony Elliott, Routledge, London, s. 26–41, https://doi.org/10.4324/9781315776774-2.
Künzig Bernd (2017), New Queer Music: Homosexualität und neue Musik: eine ästhetische Spurensuche, „Neue Zeitschrift für Musik”, vol. 178, nr 1, s. 12–16.
Lilti Antoine (2017), The Invention of Celebrity, 1750–1850, przeł. Lynn Jeffress, Polity Press, Cambridge.
Marshall David P., Redmond Sean, Blackwell Wiley, red. (2016), A Companion to Celebrity, John Wiley & Sons, Chichister.
Mole Tom, red. (2012), Romanticism and Celebrity Culture, 1750–1850, Cambridge University Press, Cambridge.
Molęda-Zdziech Małgorzata (2013), Czas celebrytów. Mediatyzacja życia publicznego, Difin, Warszawa.
Morgan Simon (2011), Celebrity Academic ‘Pseudo-Event’ or a Useful Concept for Historians?, „Cultural and Social History”, vol. 8, nr 1, https://doi.org/10.2752/147800411X12858412044474.
Morin Edgar (1972), Les stars, Seuil, Paris.
Rojek Chris (2004), Celebrity, Reaktion Book, London.
Rutheford Susan (2006), Prima Donna and Opera, 1815–1930, Cambridge University Press, Cambridge.
Schickel Richard (1985), Intimate Strangers: The Culture of Celebrity in America, Doubleday, Garden City.
Stevens Nicholas David (2017), Lulu’s Daughters: Portraying the Anti-Heroine in Contemporary Opera, 1993–2013, [praca doktorska], Case Western Reserve University, Cleveland.
Thomas Richard (2013), Anna Nicole – Synopsis, w: Anna Nicole, [program teatralny, New York City Opera], New York, s. 7–8.
Turnage Mark-Anthony, Thomas Richard (2011), Anna Nicole, DVD, Opus Arte.
Waszakowa Krystyna (2012), Złożony charakter procesów włączania elementów obcych do języka polskiego (na przykładzie zapożyczenia celebryta), w: Odkrywanie znaczeń w języku, red. Agnieszka Mikołajczuk, Krystyna Waszakowa, Wydawnictwa Uniwersytetu Warszawskiego, Warszawa, s. 290–306.
Wesołowski Adrian (2019), Kto był pierwszym celebrytą? Zachodnia historiografia celebrytyzmu, dawniej i dziś, „Kultura Popularna”, nr 1, s. 8–19.
License
Copyright (c) 2022 Marcin Bogucki
This work is licensed under a Creative Commons Attribution-NoDerivatives 4.0 International License.
Authors
Authors of texts accepted for publication in „Poznańskie Studia Polonistyczne. Seria Literacka” are required to complete, sign and return to the editor's office the Agreement for granting a royalty-free license to works with a commitment to grant a CC sub-license.
Under the agreement, the authors of texts published in „Poznańskie Studia Polonistyczne. Seria Literacka” grant the Adam Mickiewicz University in Poznań a non-exclusive, royalty-free license and authorize the use of Attribution-NoDerivatives 4.0 International (CC BY-ND 4.0)Creative Commons sub-license.
The authors retain the right to continue the free disposal of the work.
Users
Interested Internet users are entitled to use works published in „Poznańskie Studia Polonistyczne. Seria Literacka” since 2016, for non-commercial purposes only, under the following conditions:
- attribution - obligation to provide, together with the distributed work, information about the authorship, title, source (link to the original work, DOI) and the license itself.
- no derivatives - the work must be preserved in its original form, without the author's consent it is not possible to distribute the modified work, such as translations, publications, etc.
Copyrights are reserved for all texts published before 2016.
Miscellaneous
Adam Mickiewicz University in Poznań retains the right to magazines as a whole (layout, graphic form, title, cover design, logo etc.).