Słowa kluczowe
Tibet
craftsmanship
handicraft
adornment
ornament
tradition
decoration
Jak cytować
Abstrakt
The purpose of this paper is to present the phenomenon of Tibetan jewellery, its history, characteristics, styles, applied patterns and ornamentation. The work focuses on traditional jewellery, its application, execution methods, tools and materials used by jewellers, as well as on the symbolism, mainly Buddhist one, with broad meaning and often used during execution of the ornaments.
Bibliografia
Béguin, Gilles. 1996. Tibet, §I, 7: Introduction: Artist and craftsman: Jane Turner (red.). The Dictionary of Art, vol. 30. New York: Grove.
Boyer, Martha 1952. Mongol Jewellery. I Komission Nos Gyldendalske Boghandel. Kobenhavn: Nordisk Forlag.
Clark, John. 1996. Tibet, §V, 5: Other arts: Jewellery: Jane Turner (red.). The Dictionary o f Art, vol. 30. New York: Grove, 839.
Clark, John. 2008. Jewellery of Tibet and the Himalayas. London: V&A Publications.
Dagyab Rinpoche, Loden Sherab. 1995. Buddhist Symbols in Tibetan Culture. Massachusetts: Wisdom Publications.
Dzikowska, Elżbieta. 2014. Biżuteria świata. Jewellery of the world. Pelplin: Bernardinum.
Meyers, Bernard S. (red.). 1961. Encyclopedia of World Art, vol. IV. New York: McGraw-Hill.
Meyers, Bernard S. (red). 1967. Encyclopedia of World Art, vol. XIV. New York: McGraw-Hill.
Rieff Anawalt, Patricia 2007. The Worldwide History of Dress. New York: Thames & Hudson.
Skorupski, Tadeusz 2009. Tibetan Amulets. Bangkok: Orchid Press.
Talbot Rice, Tamara 1965. Ancient Arts of Central Asia. London: Thames & Hudson.
Tucci, Giuseppe. 1967. Tibetan Art, Minor Arts and Handicrafts: Bernard Samuel Meyers (red.). Encyclopedia of World Art, vol. XIV. New York: McGraw-Hill, 80.
Licencja
Ten utwór jest dostępny na licencji Creative Commons Uznanie autorstwa 4.0 Międzynarodowe.