The role of the artist in the Maya society in the late classical period based on epigraphic analysis of the signatures of scribes and sculptors
Nr 19 (2019), Autoreferaty
Nr 19 (2019)

The role of the artist in the Maya society in the late classical period based on epigraphic analysis of the signatures of scribes and sculptors

Autoreferaty
https://doi.org/10.14746/seg.2019.19.21
Opublikowane 2019-06-15
Kajetan Jagodziński
https://orcid.org/0000-0003-3107-403X
Instytut Kultury Europejskiej Uniwersytetu im. Adama Mickiewicza w Poznaniu
Poland
PDF (English)

Słowa kluczowe

The Maya Society
artist
scribes
sculptors

Jak cytować

Jagodziński, K. (2019). The role of the artist in the Maya society in the late classical period based on epigraphic analysis of the signatures of scribes and sculptors . Studia Europaea Gnesnensia, 19(19), 415–422. https://doi.org/10.14746/seg.2019.19.21
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Abstrakt

The role of the artist in the Maya society in the late classical period based on epigraphic analysis of the signatures of scribes and sculptors

 

https://doi.org/10.14746/seg.2019.19.21
PDF (English)

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Bibliografia

Jagodziński K. 2017, Znaczenie almanachu 1c z Kodeksu Drezdeńskiego dla rozwoju epigrafiki majańskiej, Studia Europaea Gnesnensia 15, pp. 129-147.

Johnston K. 2005, Dedos rotos: La captura del escriba en la cultura Maya Clásica [online]. FAMSI [access: 2018-03-08]. Available at: <http://www.famsi.org/reports/03101es/62kevin/62kevin.pdf>.

Just B. 2018, Collecting Art of the Maya [online]. Princeton [access: 2018-08-07]. Available at: <https://artmuseum.princeton.edu/story/collecting-art-maya>.

Martin S., Grube N. 2000, Chronicle of the Maya Kings and Queens: Deciphering the Dynasties of the Ancient Maya, London, p. 128.

Thompson J.E.S. 1988, Un comentario al Códice de Dresde. Libro de jeroglifos mayas, Ciudad de México, p. 41