POSTMEMORY IN POPULAR CULTURE BASED ON KRZYSZTOF GAWRONKIEWICZ AND KRYSTIAN ROSENBERG’S GRAPHIC NOVEL ACHTUNG ZEIL! DRUGA WOJNA
PDF (English)

Palabras clave

POSTMEMORY
POST-TRAUMATIC CULTURE
POPULAR CULTURE
COMIC BOOK

Cómo citar

Gajewska, G. (2013). POSTMEMORY IN POPULAR CULTURE BASED ON KRZYSZTOF GAWRONKIEWICZ AND KRYSTIAN ROSENBERG’S GRAPHIC NOVEL ACHTUNG ZEIL! DRUGA WOJNA. Studia Europaea Gnesnensia, (7), 57–70. Recuperado a partir de https://pressto.amu.edu.pl/index.php/seg/article/view/2498

Resumen

The article addresses the issue of diverse contemporary manifestations of postmemory. Although works of literature, graphic arts, architecture and sculpture, belonging to the so-called high art culture, have already been analysed with respect to post memory and post-traumatic culture, the domain of popular culture remains practically excluded from such analyses. Meanwhile, it is precisely popular culture that has a considerable impact on the attitudes and views of the people living today.  The omnipresence of pop-culture, the pressure it exerts prompts re-evaluation of entire culture, not only its entertainment-related domains. Post-traumatic culture is largely shaped within and through popular culture, which is evinced in the popularity of the graphic story entitled Achtung Zelig! Druga wojna by Krzysztof Gawronkiewicz (art) and KrystianRosenberg (story), displaying numerous traits defined as postmemory. A detailed analysis of the comic book permits the author to reveal those qualities.  

PDF (English)

Citas

Broch H., Kilka uwag o kiczu i inne eseje, Warszawa 1998, s. 114–115.

Domańska E., Historie niekonwencjonalne. Refleksja o przeszłości w nowej humanistyce, Poznań 2006, p. 195–220.

Firsch M., Family Frames: Photography, Narrative and Postmemory, Cambridge 1997, p. 22.

Freud S., Wstęp do psychoanalizy, transl. by S. Kempnerówna, W. Zaniewicki, Warszawa 1984, p. 141.

Gawronkiewicz K., Rosenberg,K., Achtung Zelig! Druga wojna, Warszawa 2004.

Herman M., Wizja wojny nieprawdziwej — o powstaniu komiksu “Achtung Zelig! i przyszłości rozmawiamy z Krzysztofem Gawronkiewiczem, http://www.esensja.pl/komiks/wywiady/tekst.html id=664&strona=1 (23.01.2011).

Horkheimer M., Dorno T., Dialektyka oświecenia, transl. by M. Łukasiewicz, Warszawa 1994.

La Capra D., Writing History, Writing Trauma, Baltimore–London 2001.

Orliński W., Surrealistycznie o Holocauście, Gazeta Wyborcza, April 3rd–4th 2004.

Passeron R., Encyklopedia surrealizmu, transl. by K. Janicka, Warszawa 1993, p. 63–78.

Poliakov L., Historia antysemityzmu, transl. by A. Rasińska-Bóbr, O. Hedemann, Kraków 2008.

Saltzman L., Awangarda i kicz raz jeszcze. O etyce reprezentacji, transl. by K. Bojarska, Literatura na Świecie 1–2, 2004, p. 204 (The first press: “Avant-Garde and Kitsch” Revisited: On the Ethics of Representation, [in:] N.L. Kleeblatt (ed.), Mirroring Evil: Nazi Imagery / Recent Art, New York–New Brunswick 2002, p. 53–64).

Tokarska-Bakir J. Rzeczy mgliste. Eseje i studia, Sejny 2004, p. 98.

Wilkomirski B., Bruchstücke. Aus einer Kindheit 1939–1948, Frankfurt 1995.