Résumé
In this article I shall describe the various roles and meanings of music in selected works of different artists, styles and periods, from the basic level of imitating and portraying reality to more covert meanings. The choice of works was based on the starting point of the centrality of music or the role of the musical instrument, or both as a key to understanding and interpreting the painting.
Références
Aleichem S. 1921, Jewish Children, New York.
Berger J. 2011, The Dark Side of Degas, Ballet Dancers, The Guardian, November.
Chagall M. 1957, My Life, London.
Chevalier D. 1969, Picasso: The Blue and Rose Periods, New York.
Christiansen K. 1990, Caravaggio Rediscovered: The Lute Player, New York.
Croix H. de la and Tansey R.G. (eds.).1996, Gardner’s Art through the Ages, Boston.
Darwin C. 2009, The Descent of Man, Digireads.com.
Delacroix E. 2006, Journal d’Eugène Delacroix: 1, Paris.
Dixon A.G. 2011, Caravaggio: A life Sacred and Profane, London.
Dubal D. 2001, The Essential Canon of Classical Music, New York.
Düchting H. 1997, Paul Klee: Painting Music, Munich.
Elior R. 1993, The Paradoxical Ascent to God: The Kabbalistic Theosophy of Habad Hasidism, Albany.
Flottmann H.B. 2013, Dr. Flottmann's Scientific Encyclopedia of Dream Symbols, Norderstedt.
Gaarder J. 2015, Sophie’s World, London.
Hamilton S. 2011, radio talk, Dallas.
Huttner J.L. 2003, Everybody's Fiddler. Forwards, New York.
Huxley A. 1931, Music at Night and Other Essays in “The Rest is Silence”, London.
Kandinsky W. 1977, Concerning the Spiritual in Art, Toronto.
Kandinsky W. 1979, Point and Line to Plane, Toronto.
Kidder R.M. 1985, What Music Looked Like to Paul Klee. Christian Science Monitor.
Landsberger F. 1946, Rembrandt, the Jews and the Bible, Philadelphia.
Leach B.L. 2015, Conversations between Modern Art and Music, New York.
Lessing G.E. 1983, Laoocon, or On the Limits of Painting and Poetry, Tel Aviv.
Marks L.E. 1978, The Unity of Senses: Interrelations Among the Modalities, New York.
O’Dea M. 1995, Jean Jacques Rousseau: Music, Illusion and Desire, London.
Ovid P.N. 2010, Metamorphoses, Indianapolis.
Phippen J.W. 2016, The Man Who Captured Time (film).
Robb P. 1998, The Man Who Became Caravaggio, New York.
Roskill M. W. 1922, Klee, Kandinsky and the Thought of Their Time, Chicago.
Strunk O. 1950, Source Readings in Music History: From Classical Antiquity through the
Romantic Era, New York.
Three Musicians, 1921 by Pablo Picasso [online]. Picasso [access: 2019-03-21]. Available at: <https://www.pablopicasso.org/three-musicians.jsp#prettyPhoto>.
Wheelock A.K. 1995, Jan Vermeer: The Art of Painting, New Haven.
Wullschlager J. 2008, Chagall: A Biography, New York.