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Abstract
The article focuses on the creative writing of Yuri Klen (1891–1947), the neoclassic and one of the most prominent Ukrainian poets in the twentieth century. The author interprets the main motifs of the poem Popil Imperij (The Ashes of the Empires) in the context of Klen’s creative and academic writing. Special attention is paid to the analysis of a fragment known as Lucifer’s Temptation, the key image of which is the image of the Übermensch.References
А. Ахматова, Собрание сочинений в шести томах, том 3: Поэмы. Pro domo mea. Театр, Москва 1998.
Ю. Клен, Твори, том 3, за ред. Є. Маланюка, Торонто 1960.
Ю. Клен, Люциферова спокуса, [в:] “Літаври”, 1947, число 3, червень, с. 3–5.
Ю. Клен, Твори, 2 том, за ред. Євгена Маланюка, Торонто 1957.
Вол. Кримський, П'ятірне гроно (Українська неоклясика 20-тих років), [в:] “Студентський прапор”, число 4–5 (10–11), квітень-травень 1944, Краків 1944.
Р. Мних, Новела Юрія Клена “Пригоди Архангела Рафаїла”: декілька штрихів до інтерпретації твору, [в:] Творчість Юрія Клена в контексті українського неокласицизму та вісниківського неоромантизму, Дрогобич 2004, с. 117–123.
П. Тичина, Сонячні кларнети, Київ 1990.
О. Филипович, Життя і творчість Юрія Клена, [в:] “Сучасність”, жовтень 1967, № 10 (82), с. 54.
І. Франко, Зібр. творів, у 50-ти томах, том 21, Київ 1979.
Д. Чижевський, Юрій Клен, вчений та людина, [в:] Збірник “Української літературної газети” — 1956, Мюнхен 1957, с. 157–166.
O. Burghardt, Die Leitmotive bei Leonid Andrejev. Kommissionsverlag Otto Harrassowitz, Leipzig 1941.
Joachim Fest, Hitler. Eine Biographie, Spiegel-Verlag, Hamburg 2007.
Giorgio Penzo, Übermensch, [in:] “Nietzsche-Handbuch. Leben — Werk — Wirkung”, hrg.von Henning Ottmann, Stuttgart 2000.
Karl Siehs, Das Sehnsuchtsmotiv bei Jurij Klen, [w:] “Ammann — Festgabe”. Gruppe Slawistik. Innsbrucker Beiträge zur Kulturwissenschaft. Band 2, Heft 5 (10), Innsbruck 1954.
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