Keywords
powieść gotycka
literatura grozy
gotycyzm literacki
How to Cite
Abstract
Przedmiotem publikacji jest ścisły zarys problematyki ukraińskiej literatury grozy przedstawiony na tle europejskich tradycji gotyckich w literaturze. Poruszone zostało zagadnienie niejednoznaczności stosowanej terminologii, którą zazwyczaj wykorzystuje się do tworzenia metodologii badań oraz ich samych. Autor podejmuje próbę umiejscowienia gotycyzmu literackiego w literaturoznawstwie. Artykuł zawiera zwięzłą analizę specyfiki prozy gotyckiej w literaturze Anglii, Francji, Niemiec, Polski i Czech, jednakże szczególnie wyróżniono ukraiński gotycyzm literacki, jego swoistość, wyjątkowość. Dostrzeżona została również ukraińska proza „chimeryczna”, choć jej zaliczenie do literatury gotyckiej jest sporne. Ukraińskiemu nurtowi gotyckiemu w literaturze właściwe jest również zastosowanie mitologii ludowej, folkloru i demonologii. Autor doszedł do
wniosku, że gotycyzm literacki w twórczości pisarzy ukraińskich stanowi doniosły wkład do literatury europejskiej, również światowej. Wymaga stałych badań literaturoznawczych z uwagi na jego nieustającą ewolucję i pojawianie się takich nowych gatunków nurtu gotyckiego jak fantastyka, fantasy czy literatura grozy.
References
Antolohiia ukrainskoho zhakhu [The Anthology of Ukrainian Literature of Terror], ukl. V. Pakharenko, Kyiv: Asots. pidtrymky ukr. pop. lit., 2000.
Antolohiia ukrainskoi fantastyky XIX–XX st. [The Anthology of Ukrainian Fantasy from the 19th and 20th Century], ukl. Yu. Vynnychuk, Kharkiv: Folio, 2017.
Vynnychuk Yu., Antolohiia hotychnoi prozy [The Anthology of Gothic Prose], Kharkiv: Folio, 2014.
Vynnychuk Yu., Nichnyi pryvyd: antolohiia ukrainskoi hotychnoi prozy XIX stolittia [A Night Spectre: the Anthology of Ukrainian Gothic Prose from the 19th Century], Kharkiv: Folio, 2001.
Vynnychuk Yu., U zacharovanomu liustri [In a Magic Mirror], [v:] Antolohiia hotychnoi ukrainskoi prozy, u 2 tomakh, ukl. Yu. Vynnychuk, t. 2, Kharkiv: Folio, 2014.
Horniatko-Shumylovych A., U dyvosviti opovidan Vasylia Gabora (Knyha ekzotychnykh sniv i realnykh podii) [In a Bizzare World of Vasil’ Gabor’s Novellas (A Book of Exotic Dreams and Real Events)], [v:] „Slovo i chas”, 2006, vyp. 11, s. 38–43.
Denysiuk I., Literaturna hotyka i Frankova proza [Gothic Literature and Franko’s Prose], [v:] „Paradyhma”, 2004, vyp. 2, s. 142–154.
Kravchenko A., Khudozhnia umovnist v ukrainskii radianskii prozi [Artistic Conditionality in the Ukrainian Soviet Prose], Kyiv: Naukova dumka, 1988.
Kryvutsa L., Zhanrovo-tematychni rysy hotychnoho romanu v interpretatsii Nadii Kybalchych [Thematic and Generic Features of a Gothic Novel as Interpreted by Nadìa Kybalchych], [v:] „Literaturoznavchi studii”, 2015, vyp. 1 (1), s. 296–303.
Melnyk L., Vid romantyzmu do modernizmu: Fedir Zarevych i yoho hotychna proza [From Romaticism to Modernism: Fedìr Zarevych and His Gothic Prose], [v:] „Slovo i chas”, 2009, № 11, s. 84–88.
Melnyk N., Zhanrovo-stylovi modyfikatsii ukrainskoi novely 80–90-kh rokiv ХХ stolittia [Modifications of Genre and Style with Ukrainian Novella of XX Century], dys. … kand. filol. nauk, Kyiv 1999.
Shevchuk V., U sviti fantazii ukrainskoho narodu [In the World of Fantasy of the Ukrainian Ffolk], [v:] Yu. Vynnychuk, Ohnenyi zmii, Kyiv: Molod, 1990, s. 3–7.
Chaikovska V.T., Ukrainska khymerna proza: istoriia narodzhennia termina, [Ukrainian „Chimeric” Prose: the History of the Name], [v:] „Visnyk Zhytomyrskoho derzhavnoho universytetu imeni Ivana Franka”, 2006, vyp. 26, s. 79–82.
Groom N., The Gothic. A Very Short Introduction, Оxford: Oxford University Press, 2012.
Horniatko-Szumilowicz A., Ukraińska proza „chimeryczna” lat siedemdziesiątych i osiemdziesiątych XX wieku [Ukrainian “Chimeric” Prose of the 1970s and 1980s], Szczecin: Wyd-wo Uniwersytetu Szczecińskiego, 2011.
Izdebska A., Gotycyzm/gotycyzmy — rekwizyty i metamorfozy [Gothicism/Gothicisms — Props and Metamorphoses], [w:] „Poznańskie Studia Polonistyczne. Seria Literacka”, Poznań, 2017, vol. 30 (50), s. 325–338.
Kruszewski P., Sacrum i mythos w polskiej literaturze fantastycznej [Sacrum i Mythos in Polish Fantasy Literature], Katowice: Uniwersytet Śląski, 2017.
Mostowski T., Wybór powieści moralnych i romansów [Selected Moral Novels and Romances], vol. 1–5, Warsaw: Drukarnia Nro 646 przy Nowolipiu, 1804.
Nawrocki R., Kuchenne fascynacje fantastyki grozy [Kitchen Fascination of Fantasy Horror], [w:] „Barbarzyńca”, Kraków 2009, nr 3–4 (16–17).
Rustowski A.M., Angielska powieść gotycka doby wiktoriańskiej [English Gothic Novel in Victorian Era], „Scientific Papers of the University of Silesia in Katowice”, vol. 191, Katowice 1997.
Sinko Z., Gotycyzm [Gothicism], [w:] Słownik literatury polskiego Oświecenia, red. T. Kostkiewiczowa, Wrocław: Ossolineum, 1991.
Štĕpán L., Kalejdoskop form genologicznych w popularnych nurtach gotycyzmu [Genealogical Genres Kaleidoscope in Popular Goticism Current], [w:] Wokół gotycyzmów. Wyobraźnia, groza, okrucieństwo, red. G. Gazda, A. Izdebska, J. Płuciennik, Kraków: Towarzystwo Autorów i Wydawców Prac Naukowych UNIVERSITAS, 2002, s. 115–129.
Swierkocki M., Magia gotycyzmu [Magic of Gothicism], [v:] Gotycyzm i groza w kulturze [Gothicism and Horror in Culture], edit. G. Gazda, A. Izdebska, J. Pluciennik, Łódź: Wydawnictwo Uniwersytetu Łódzkiego, 2003.
Szary-Matywiecka E., “Malwina” czyli Głos i pismo w powieści [„Malwina” i. e. Voice and Writing in a Novel], Warszawa: Wydaw. IBL PAN, 1994.
Vachal J., Krvavý román. Studie kulturně a literárně historická [Cultural, Literature and History Study], Praha: Paseka, 1990.
License
- The Author hereby warrants that he/she is the owner of all the copyright and other intellectual property rights in the Work and that, within the scope of the present Agreement, the paper does not infringe the legal rights of another person.The owner of the copyright work also warrants that he/she is the sole and original creator thereof and that is not bound by any legal constraints in regard to the use or sale of the work.
- The Author grants the Purchaser non-exclusive and free of charge license to unlimited use worldwide over an unspecified period of time in the following areas of exploitation:
2.1. production of multiple copies of the Work produced according to the specific application of a given technology, including printing, reproduction of graphics through mechanical or electrical means (reprography) and digital technology;
2.2. marketing authorisation, loan or lease of the original or copies thereof;
2.3. public performance, public performance in the broadcast, video screening, media enhancements as well as broadcasting and rebroadcasting, made available to the public in such a way that members of the public may access the Work from a place and at a time individually chosen by them;
2.4. inclusion of the Work into a collective work (i.e. with a number of contributions);
2.5. inclusion of the Work in the electronic version to be offered on an electronic platform, or any other conceivable introduction of the Work in its electronic version to the Internet;
2.6. dissemination of electronic versions of the Work in its electronic version online, in a collective work or independently;
2.7. making the Work in the electronic version available to the public in such a way that members of the public may access the Work from a place and at a time individually chosen by them, in particular by making it accessible via the Internet, Intranet, Extranet;
2.8. making the Work available according to appropriate license pattern Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) as well as another language version of this license or any later version published by Creative Commons. - The Author grants the Adam Mickiewicz University in Poznan permission to:
3.1. reproduce a single copy (print or download) and royalty-free use and disposal of rights to compilations of the Work and these compilations.
3.2. send metadata files related to the Work, including to commercial and non-commercial journal-indexing databases. - The Author declares that, on the basis of the license granted in the present Agreement, the Purchaser is entitled and obliged to allow third parties to obtain further licenses (sublicenses) to the Work and to other materials, including derivatives thereof or compilations made based on or including the Work, whereas the provisions of such sub-licenses will be the same as with the attributed license pattern Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)or another language version of this license, or any later version of this license published by Creative Commons. Thereby, the Author entitles all interested parties to use the work, for non-commercial purposes only, under the following conditions:
4.1. acknowledgment of authorship, i.e. observing the obligation to provide, along with the distributed work, information about the author, title, source (link to the original Work, DOI) and of the license itself.
4.2. the derivatives of the Work are subject to the same conditions, i.e. they may be published only based on a licence which would be identical to the one granting access to the original Work. - The University of Adam Mickiewicz in Poznań is obliged to
5.1. make the Work available to the public in such a way that members of the public may access the Work from a place and at a time individually chosen by them, without any technological constraints;
5.2. appropriately inform members of the public to whom the Work is to be made available about sublicenses in such a way as to ensure that all parties are properly informed (appropriate informing messages).
Other provisions
- The University of Adam Mickiewicz in Poznań hereby preserves the copyright to the journal as a whole (layout/stylesheet, graphics, cover design, logo etc.)