Keywords
sensual perception of the text
brutal metaphor
Ukrainian literature
How to Cite
Abstract
The purpose of this paper is to analyse the reception of the short story Ги-ги-и! by the contemporary Ukrainian writer Yurii Vynnychuk through the prism of the senses. It investigates how the artistic word becomes the link between the reader and their senses, how it shapes visual, auditory, olfactory, gustatory, and tactile associations in the consciousness of the reader. The study shows how the writer, using an aesthetic of ugliness that affects the reader’s subconscious and impacts their senses, demonstrates the dark side of life. The paper also points to Vynnychuk’s use of the monstrosity
aesthetic. The study uses a hermeneutic research method.
References
Bilous P., Vstup do literaturoznavstva. Teoriia literatury. Psykholohiia literaturnoi tvorchosti: Lektsii [An introduction to literary studies. Theory of literature. Psychology of literary creativity: lectures], Zhytomyr: Ruta, 2009.
Boiarchuk O.D., Orhany chuttia [Sensory organs], [v:] Його ж, „Anatomiia ta evoliutsiia nervovoi systemy: pidruch. dlia stud. vyshch. navch. zakl.”, Luhansk: Vyd-vo DZ „LNU im. Tarasa Shevchenka”, 2014, s. 189–251.
Vynnychuk Yu., Pid kovpakom [Under the hood], 2017, [v:] Elektronnyi resurs: http://web.archive.org/web/20190721021128/https://zbruc.eu/node/66370 (16.04.2021).
Karta slov i vyrazhenij russkogo jazyka [Map of words and phrases in the Russian language], [v:] Еlektronnyj resurs: https://kartaslov.ru/%D0%B7%D0%BD%D0%B0%D1%87%D0%B5%D0%BD%D0%B8%D0%B5-%D1%81%D0%BB%D0%BE%D0%B2%D0%B0/%D1%87%D0%B5%D1%80%D0%BD%D1%83%D1%85%D0%B0 (19.09.2020).
Kovbasa I., Yurii Vynnychuk: „U nas maie buty honor” [Yurii Vynnychuk: “We should have honour”], [v:] Elektronnyi resurs: http://litakcent.com/2011/04/01/jurij-vynnychuk-u-nas-maje-buty-honor/ (01.10.2020).
Lis-Markievich P., Yurii Vynnychuk yak uporiadnyk ukrainskoi literaturnoi spadshchyny[Yurii Vynnychuk as a compiler of the Ukrainian Literary Heritage], [w:] „Studia Ukrainica Posnaniensia”, 2018, z. VI, s. 225–234.
Malovytska L., Paradoksalni vlastyvosti khudozhnoho myslennia heniia: vplyv synestezii na tvorchyi protses [Paradoxical properties of artistic thinking of a genius: the influence of synaesthesia on the creative process], [v:] „Istoriia. Filosofiia. Relihiieznavstvo”, 2010, nr 1–2, s. 32–37.
Orhany chuttia [Sensory organs], [v:] O.D. Lutsyk , A.Y. Ivanova, K.S. Kabak, Yu.B. Chaikovskyi, „Histolohiia liudyny”, Kyiv: Knyha plius, 2003, s. 493–522.
Orlova O., Spryiniattia yak literaturoznavcha problema [Perception as a literary problem], [v:] Elektronnyi resurs: http://dspace.pnpu.edu.ua/bitstream/123456789/1574/1/Orlova.pdf (19.09.2020).
Semkiv R., Burlesk i parodiia u tvorchosti Yuriia Vynnychuka [Burlesque and parody in the works of Yuri Vynnychuk], [v:] „Filolohichni nauky”, 2015, t. 176, s. 52–57.
Semkiv R., Yurii Vynnychuk yak tsentralna postat halytskoi burlesknoi literatury [Yuriy Vynnychuk as a central figure of Galician burlesque literature], [v:] „Pislia postmodernizmu”, Kyiv: NaUKMA, Ahrar Media Hrup, 2012, s. 83–98.
Franko I., Iz sekretiv poetychnoi tvorchosti [From the Secrets of Poetic Creativity], [v:] „Zibrannia tvoriv u piatdesiaty tomakh”, red. V. Aheyeva, t. 31, Kyiv: Naukova dumka, 1981, s. 45–119.
Kharchuk R.B., Yurii Vynnychuk – batko „chornoho” humoru v ukrainskii literaturi [Yurii Vynnychuk – the father of „black” humour in Ukrainian literature], [v:] Yiyi zh, „Suchasna ukrainska proza: Postmodernyi period: Navch. posib.”, Kyiv: VTs „Akademiia”, 2008, s. 122–125.
„Moskwa noir”. Recenzja [“Moscow noir”. Review], [w:] Źródło elektroniczne: http://rosyjskaruletka.edu.pl/2012/05/17/moskwa-noir-red-n-smirnowa-j-goumen-recenzja/ (19.09.2020).
License
- The Author hereby warrants that he/she is the owner of all the copyright and other intellectual property rights in the Work and that, within the scope of the present Agreement, the paper does not infringe the legal rights of another person.The owner of the copyright work also warrants that he/she is the sole and original creator thereof and that is not bound by any legal constraints in regard to the use or sale of the work.
- The Author grants the Purchaser non-exclusive and free of charge license to unlimited use worldwide over an unspecified period of time in the following areas of exploitation:
2.1. production of multiple copies of the Work produced according to the specific application of a given technology, including printing, reproduction of graphics through mechanical or electrical means (reprography) and digital technology;
2.2. marketing authorisation, loan or lease of the original or copies thereof;
2.3. public performance, public performance in the broadcast, video screening, media enhancements as well as broadcasting and rebroadcasting, made available to the public in such a way that members of the public may access the Work from a place and at a time individually chosen by them;
2.4. inclusion of the Work into a collective work (i.e. with a number of contributions);
2.5. inclusion of the Work in the electronic version to be offered on an electronic platform, or any other conceivable introduction of the Work in its electronic version to the Internet;
2.6. dissemination of electronic versions of the Work in its electronic version online, in a collective work or independently;
2.7. making the Work in the electronic version available to the public in such a way that members of the public may access the Work from a place and at a time individually chosen by them, in particular by making it accessible via the Internet, Intranet, Extranet;
2.8. making the Work available according to appropriate license pattern Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) as well as another language version of this license or any later version published by Creative Commons. - The Author grants the Adam Mickiewicz University in Poznan permission to:
3.1. reproduce a single copy (print or download) and royalty-free use and disposal of rights to compilations of the Work and these compilations.
3.2. send metadata files related to the Work, including to commercial and non-commercial journal-indexing databases. - The Author declares that, on the basis of the license granted in the present Agreement, the Purchaser is entitled and obliged to allow third parties to obtain further licenses (sublicenses) to the Work and to other materials, including derivatives thereof or compilations made based on or including the Work, whereas the provisions of such sub-licenses will be the same as with the attributed license pattern Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)or another language version of this license, or any later version of this license published by Creative Commons. Thereby, the Author entitles all interested parties to use the work, for non-commercial purposes only, under the following conditions:
4.1. acknowledgment of authorship, i.e. observing the obligation to provide, along with the distributed work, information about the author, title, source (link to the original Work, DOI) and of the license itself.
4.2. the derivatives of the Work are subject to the same conditions, i.e. they may be published only based on a licence which would be identical to the one granting access to the original Work. - The University of Adam Mickiewicz in Poznań is obliged to
5.1. make the Work available to the public in such a way that members of the public may access the Work from a place and at a time individually chosen by them, without any technological constraints;
5.2. appropriately inform members of the public to whom the Work is to be made available about sublicenses in such a way as to ensure that all parties are properly informed (appropriate informing messages).
Other provisions
- The University of Adam Mickiewicz in Poznań hereby preserves the copyright to the journal as a whole (layout/stylesheet, graphics, cover design, logo etc.)