Ruch: kinowość w malarstwie i literaturze

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Mieke Bal
Filip Lipiński

Abstrakt

Translation of Mieke Bal's chapter into Polish. Translation of a fragment of Mieke Bal's book Emma & Edvard Looking Sideways: Loneliness and the Cinematic (2017), which accompanied an exhibition of Edward Munch’s painting in Munch Museum in Oslo. Bal analyzes Munch’s work in terms of its cinematic quality offering a persuasive argument about the productiveness of such an approach. Her perspective is framed by diverse notions of movement, inspired by readings of Henri Bergson’s philosophy. Following the set-up of the exhibition, which included her and Michelle Williams Gamaker’s video-installation Madame B., based on Gustave Flaubert’s novel Madame Bovary, she incorporates in her account aspects of cinematic thinking in Flaubert’s literature and discusses a dialogue between Munch’s work and their installation. Finally, Bal talks about the political dimension of movement in art, happening between the artwork and the viewer.


 

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Jak cytować
Bal, M., & Lipiński, F. (2020). Ruch: kinowość w malarstwie i literaturze. Artium Quaestiones, (31), 277-311. https://doi.org/10.14746/aq.2020.31.10
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PRZEKŁADY
Biogramy autorów

Mieke Bal, University of Amsterdam

Professor, a co-founder of the Amsterdam School of Cultural Analysis (ASCA), Academy Professor of Royal Netherlands Academy of Arts and Sciences.  She is an internationally renowned cultural theorist, critic, video artist and curator, the recipient of five honorary doctorates. She focuses on gender, migratory culture, psychoanalysis, and the critique of capitalism. Her 40 books include a trilogy on political art: Endless Andness (on abstraction), Thinking in Film (on video installation), both 2013, Of What One Cannot Speak (on sculpture, 2010). Her early work comes together in A Mieke Bal Reader (2006). In 2016 appeared In Medias Res: Inside Nalini Malani’s Shadow Plays (Hatje Cantz), and in Spanish, Tiempos trastornados on the politics of visuality (AKAL). Emma & Edvard Looking Sideways: Loneliness and the Cinematic. Oslo: Munch Museum / Brussels: Mercatorfonds; Yale University Press, 2017 integrated with the exhibition she curated at the Munch Museum demonstrates her integrated approach to academic, artistic and curatorial work.

 

Filip Lipiński, Adam Mickiewicz University, Poznań

Art historian, Americanist, translator, assistant professor at the Department of Art History, Adam Mickiewicz University; deputy editor-in-chief of Artium Quaestiones journal.

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