Ruch: kinowość w malarstwie i literaturze
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Słowa kluczowe

the cinematic
movement
painting
film
Edvard Munch
Mieke Bal
video-installation

Jak cytować

Bal, M. ., & Lipiński, F. (2020). Ruch: kinowość w malarstwie i literaturze. Artium Quaestiones, (31), 277–311. https://doi.org/10.14746/aq.2020.31.10

Liczba wyświetleń: 366


Liczba pobrań: 366

Abstrakt

Translation of Mieke Bal's chapter into Polish. Translation of a fragment of Mieke Bal's book Emma & Edvard Looking Sideways: Loneliness and the Cinematic (2017), which accompanied an exhibition of Edward Munch’s painting in Munch Museum in Oslo. Bal analyzes Munch’s work in terms of its cinematic quality offering a persuasive argument about the productiveness of such an approach. Her perspective is framed by diverse notions of movement, inspired by readings of Henri Bergson’s philosophy. Following the set-up of the exhibition, which included her and Michelle Williams Gamaker’s video-installation Madame B., based on Gustave Flaubert’s novel Madame Bovary, she incorporates in her account aspects of cinematic thinking in Flaubert’s literature and discusses a dialogue between Munch’s work and their installation. Finally, Bal talks about the political dimension of movement in art, happening between the artwork and the viewer.

 

https://doi.org/10.14746/aq.2020.31.10
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