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Abstrakt
Artykuł zajmuje się percepcją i systemami reprezentacji czasu i czasowości w larpach (live-action role-playing games). Na podstawie prac Timo Lainema, badacza gier menedżerskich, niniejszy artykuł przedstawia przykładowe efekty czasu trwania gry, asynchroniczności i nudy, a następnie proponuje nowe podejście do postrzegania czasu na - i w - larpach.Bibliografia
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Faaborg, M. L. (2005). Quantifying in-game economy: A contribution to the analysis of the in-game economy of larps. In P. Bøckmann & R. Hutchison (Eds.), Dissecting larp (pp. 189–203). Oslo: Knutepunkt.
Fatland, E. (2005). Incentives as tools of LARP dramaturgy. In P. Bøckmann, R. Hutchison (Eds.), Dissecting larp (pp. 147–180). Oslo: Knutepunkt.
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Harding, T. (2007). Immersion revisited: Roleplaying as interpretation and narrative. In J. Donnis, M. Gade, L. Thorup (Eds.), Lifelike (pp. 24–33). Copenhagen: Projektgruppen KP07.
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Harviainen, J. T. (2006). Information, immersion, identity: The interplay of multiple selves during live-action role-play. Journal of Interactive Drama, 1(2), 9–51.
Harviainen, J. T. (2011). Sadomasochist role-playing as live-action role-playing: a trait-descriptive analysis. International Journal of Role-Playing, issue 2, 59–70.
Harviainen, J. T. (2016). Physical presence in simulation: A scratch at the surface of complexity. International Journal of Role-Playing, issue 6, 32–38.
Harviainen, J. T., & Lieberoth, A. (2012). Similarity of social information processes in games and rituals: Magical interfaces. Simulation & Gaming, 43(3), 528–549.
Harviainen, J. T. et al. (2018). Live-action role-playing games. In S. Deterding, J. P. Zagal (Eds.), Role-playing game studies: Transmedia foundations (pp. 87–106). London: Routledge.
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Koljonen, J. (2004). “I could a tale unfold whose lightest word would harrow up thy soul”. Lessons from Hamlet. In M. Montola & J. Stenros (Eds.), Beyond role and play (pp. 191–201). Helsinki: Ropecon ry.
Lainema, T. (2010). Theorizing on the treatment of time in simulation gaming. Simulation & Gaming, 41(2), 170–186.
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Stenros, J. (2012a). In defence of a magic circle: The social and mental boundaries of play. In Proceedings of DiGRA Nordic 2012 Conference: Local and Global – Games in Culture and Society.
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Ludography
Delirium (2010). Designed by Rasmus Høgdall, Peter Schønnemann Andreasen, Kristoffer Thurøe, Peter Munthe-Kaas, Jesper Heebøll Arbjørn and Mathias Kromann. Denmark.
Hamlet (2002). Designed by Martin Ericsson, Christopher Sandberg, Anna Ericsson, Martin Brodén et al. Sweden. Multiple runs.
Just a little loving (2011). Designed by Tor Kjetil Edland and Hanne Grasmo. Norway. Multiple runs in Norway, Sweden, Denmark, USA and Finland.
Lotka-Volterra (2018). Designed by Olle Nyman et al. Sweden. One run.
Mellan himmel och hav (2003). Designed by Eliot Wieslander and Katarina Björk. Sweden. One run.
Minds-Eye Theatre (1993). White Wolf. Game system.
Moira (2005). Organised by Anna Ericson and Karin Tidbeck. Sweden. One run.
Monitor Celestra, The (2013). Organised by Alternatliv HB, Bardo and Berättelsefrämjandet. Sweden. Three runs.
Nice Evening with the Family, A (2007). Designed by Anna Westerling, Anders Hultman, Tobias Wrigstad, Anna-Karin Linder, Elsa Helin and Patrik Balint. Sweden. Four runs.