Abstract
Olga Chrzanowska, Contemporary architect’s self-education on the issues concerning architecture history. Selected problems. Interdisciplinary Contexts of Special Pedagogy, no. 25, Poznań 2019. Pp. 403-417. Adam Mickiewicz University Press. ISSN 2300-391X. DOI: https://doi.org/10.14746/ikps.2019.25.17
The aim of this text is to describe the risks faced by contemporary architects when undertaking to learn, either directly or indirectly, about architecture in the era of the Internet and mass consumption of culture. The role of architect’s self-education on the issues concerning architecture history and aesthetic empathy theory in the context of everyday architectural landscapes. As an example, the historical foundations for the thinking on modernity in designs of the three architects: Peter Zumthor, Christian de Portzamparc and David Chipperfield
References
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List of illustrations
All the photographs are the property of the author.
A person drawing from life, Rome, Italy 2016
Sketchbooks and notepads, 2016
Bent glazing and walls from the 19th century in the Karol Poznański’s palace at ul. Gdańska, view of the northern façade, Łódź, Poland 2016
Proportions of roof and walls in a simple 19th century house, Zgierz, Poland 2016
The Louvre, Paris, France 2016 the so-called Louvre of Łódź, the palace of Izrael Poznanski from the 19th century at ul. Ogrodowa, view from the garden, Łódź, Poland 2016
Erechtheion on the Acropolis, detail, Athens, Greece 2008
Modern corner of the Neues Museum, Berlin, Germany 2015
Details of the modern railing at the Neues Museum, Berlin, Germany 2015
St. Peter’s Basilica in Rome, Italy 2012
Pastel drawing of the St. Benedict’s Chapel in Sumvig (the author of the drawing will be revealed after decoding the study), 2012
Tower, a simple form of great universality, Sforza Castle from the 15th to the 16th centuries, view to the north from Piazza Castello, Milan, Italy 2014
Residential development at rue des HautesFormes, view from avenue Edison eastwards, Paris, France 2016
Cross-section of Opéra Garnier, view of a model (the model is part of the exhibition at Musee d’Orsay), Paris, France 2016