Vol. 23 (2023)

Published 2024 May 15

Open Volume

Articles

Michał Bajer

7-26

The librettos of Moniuszko’s operas and the European literary tradition: a comparative perspective on the opposition between serious drama and comedy

https://doi.org/10.14746/ism.2023.23.1

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Szymon Mański

27-39

The History and Possibilities of Distributing Music in the 21st Century

https://doi.org/10.14746/ism.2023.23.2

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Vanja Ljubibratic

41-54

Foucauldian Theoretical Power Relations in Alban Berg’s Operas

https://doi.org/10.14746/ism.2023.23.3

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Alina Borkowska-Rychlewska

55-65

On the intertextuality of Paria [The Pariah] by Chęciński and Moniuszko

https://doi.org/10.14746/ism.2023.23.4

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Małgorzata Grajter

67-78

Transcriptions, paraphrases and modern arrangements of vocal works by Stanisław Moniuszko: an outline of the issues and methodology of research

https://doi.org/10.14746/ism.2023.23.5

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Irena Poniatowska

79-90

The National Element in Polish Music of the Period of the Partitions – Symbolic Violence or Weaponised Culture?

https://doi.org/10.14746/ism.2023.23.6

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Tetiana

91-99

The Mysterious Glow of the Star: Stanisław Moniuszko and Kazimierz Lubomirski

https://doi.org/10.14746/ism.2023.23.7

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Hanna Winiszewska

101-118

Paulina Rivoli – Moniuszko’s heroines and a Falcon soprano?

https://doi.org/10.14746/ism.2023.23.8

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Katarzyna Lisiecka

119-129

Mystery and artistic veil – Widma [Phantoms] by Stanisław Moniuszko and Paweł Passini

https://doi.org/10.14746/ism.2023.23.9

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Stanisław Dąbek

131-152

The Church music of Stanisław Moniuszko: Genre, Typology, Function, Axiology

https://doi.org/10.14746/ism.2023.23.10

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Ilona Dulisz

153-161

Moniuszko and Nowowiejski: analogies, contexts and inspirations

https://doi.org/10.14746/ism.2023.23.11

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