Published: 2018-12-01

ARTICLES

Towards a feminist theatre in Nigeria: Julie Okoh’s Closed Doors examined

John Ebimobowei Yeseibo

9-24

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Horses, toy sabers, toy soldiers—a few words about boys’ patriotic toys of the second half of the 19th and beginning of the 20th century

Katarzyna Kabacińska-Łuczak

25-52

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The “Chauvinistic” Men of Julie Okoh: Victims of Feminist Bias

Edward Egbo Imo

53-71

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The dramatist’s dimensions in tackling child labour in Nigeria: the exemplar of Faith Ken-Aminipko’s Say no to child abuse

Eziwho Emenike Azunwo, Emmanuella Omaga Sopuruchi

73-99

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Prisms of perceiving femininity. Theoretical and empirical reflections

Emilia Grzesiak

101-117

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The Origin of Slavery and The Incidence of The Trans-Atlantic Slave Trade in Oguta, Nigeria

Stanley I. Okoroafor

119-136

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Feminine Voyeurism in Ghana Films: Unmasking Frank Raja Arase’s Chauvinist Directorial Techniques

Charles Okwuowulu

137-149

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Networked subversion: a catalyst for a change in thinking about sexuality

Weronika Michalina Urban

151-161

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