Vol. 10 No. 2 (2018)

Published 2018 December 1

ARTICLES

John Ebimobowei Yeseibo

9-24

Towards a feminist theatre in Nigeria: Julie Okoh’s Closed Doors examined

https://doi.org/10.14746/jgp.2018.10.001

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Katarzyna Kabacińska-Łuczak

25-52

Horses, toy sabers, toy soldiers—a few words about boys’ patriotic toys of the second half of the 19th and beginning of the 20th century

https://doi.org/10.14746/jgp.2018.10.002

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Edward Egbo Imo

53-71

The “Chauvinistic” Men of Julie Okoh: Victims of Feminist Bias

https://doi.org/10.14746/jgp.2018.10.003

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Eziwho Emenike Azunwo, Emmanuella Omaga Sopuruchi

73-99

The dramatist’s dimensions in tackling child labour in Nigeria: the exemplar of Faith Ken-Aminipko’s Say no to child abuse

https://doi.org/10.14746/jgp.2018.10.004

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Emilia Grzesiak

101-117

Prisms of perceiving femininity. Theoretical and empirical reflections

https://doi.org/10.14746/jgp.2018.10.005

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Stanley I. Okoroafor

119-136

The Origin of Slavery and The Incidence of The Trans-Atlantic Slave Trade in Oguta, Nigeria

https://doi.org/10.14746/jgp.2018.10.006

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Charles Okwuowulu

137-149

Feminine Voyeurism in Ghana Films: Unmasking Frank Raja Arase’s Chauvinist Directorial Techniques

https://doi.org/10.14746/jgp.2018.10.007

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Weronika Michalina Urban

151-161

Networked subversion: a catalyst for a change in thinking about sexuality

https://doi.org/10.14746/jgp.2018.10.008

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