Słowa kluczowe
Aeneas
mission
obedience
love
deception
truth
nightmare
Punicus
Poenus
Carthage
Jak cytować
Liczba wyświetleń: 62
Liczba pobrań: 49
Abstrakt
The paper aims to reveal some aspects of deception and falsity in Virgil and Ovid’s famous portrayals of an unhappy Dido. Paradoxically, such a view helps us to understand not only the sophisticated game between the younger and older poet, but also the special tension existing in the structure of the image of Dido, Queen of Carthage, deceived or only abandoned by the Roman hero Aeneas.
Bibliografia
Ovid’s Amores, Book One, Commentary by Ryan, Maureen B., and Caroline A. Perkins. Norman: University of Oklahoma Press, 2011.
Ovid, Amores, Book 3, Edited with an Introduction, Translation, and Commentary by Davis, P.J. Oxford: Oxford University Press, 2023. DOI: https://doi.org/10.1093/actrade/9780198871309.book.1
Ovid, Heroides, trans. Kline, A.S. Accessed December 29, 2023 from https://www.poetryintranslation.com/klineasheroides.php
Ovid, Heroidas, texto revisado y traducido por Moya del Baño, Francisca. Madrid: Consejo Superior de Investigationes Científicas, 1986.
Virgil, Aeneis. Translated with Notes by Ahl, Frederick, Introduction by Elaine Fantham, Oxford: Oxford University Press, 2007.
P. Vergilius Maro, Aeneis, recensuit G.B. Conte. Bibliotheca Teubneriana, editio altera, Berlin–Boston: Teubner Verlag, 2019.
Brown 2001: Brown, Ron M. The Art of Suicide, Guildford and King’s Lynn: Reaktion Books, 2001.
Canetto, Sakinofsky 1998: Canetto Silvia S., Sakinofsky Isaac. "The Gender Paradox in Suicide", Suicide and Life-Threatening Behavior, no. 28 (1998): 1–23. DOI: https://doi.org/10.1111/j.1943-278X.1998.tb00622.x
Covi 1964: Covi, Madeline C. “Dido and Vergil’s Aeneid”, Classical Journal 60 no.2 (1964): 57–60.
De Boer Simons 2016: De Boer Simons, Katherine. Death and the female body in Homer, Vergil, and Ovid. A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Classics at the University of North Carolina, Chapel Hill: Katherine de Boer Simons, 2016.
Fowler 1920: Fowler, Walter Werner. Roman Essays and Interpretations, Oxford: Clarendon Press, 1920.
Franko 1994: Franko, George Fredric. “The Use of Poenus and Carthaginiensis in Early Latin Literature”, Classical Philology 84 no. 89 (1994): 153–161. DOI: https://doi.org/10.1086/367405
Fulkerson 2002: Fulkerson, Laurel. “Epic Ways of Killing a Woman: Gender and Transgression in Odyssey” 22. 465–72, Classical Journal 97 no. 4 (2002): 335–350.
Giusti 2019: Giusti, Elena. Carthage in Vergil’s Aeneid: Staging Enemy under Augustus, Cambridge: Cambridge University Press, 2019.
Gruen 2011: Gruen, Erich S. Rethinking the Other in Antiquity, Princeton: Princeton University Press, 2011. DOI: https://doi.org/10.1515/9781400836550
Gryksa 2017: Gryksa, Edyta. “General remarks on the issue of suicide in antiquity versus modern times”, Littera Antiqua 12 (2017): 4–17.
Heinze 1993: Heinze, Richard. Virgil’s Epic Technique, translated by Harvey, Hazel, David Harvey, and Fred Robertson, preface by Antonie Wlosok, Princeton: Princeton University Press, 1993.
Horsfall 2020: Horsfall, Nicholas. “Dido in the Light of History”: In Nicholas Horsfall. Fifty Years at the Sibyl’s Heels: Selected Papers on Virgil and Rome, Oxford: Oxford University Press 2020, 11–26. DOI: https://doi.org/10.1093/oso/9780198863861.003.0002
Kaczyńska 2000: Kaczyńska, Elwira. “Wizerunek Kreteńczyków w twórczości Kallimacha z Cyreny”, Meander 6 (2000): 513–535.
Loraux 1987: Loraux. Nicole. Tragic Ways of Killing a Woman. Translation by Anthony Forster, Cambridge, MA & London: Harvard University Press, 1987.
Matusiak 2015: Matusiak, Patrycja. “A few notes on Hannibal in Silius Italicus’s Punica”, Scripta Classica 12 (2015): 117–124.
Ogle 1925: Ogle, M.B. “Vergil’s Conception of Dido’s Character”, Classical Journal 20 (1925): 261–270.
Peek 2001: Peek, Philip S. “Black Humour in Ovid’s Metamorphoses”, Ramus 30 no. 2 (2001): 128–151. DOI: https://doi.org/10.1017/S0048671X00001491
Pelletier 2003: Pelletier, Jérôme. “Vergil and Dido”, Dialectica 57 no. 2 (2003): 191–203. DOI: https://doi.org/10.1111/j.1746-8361.2003.tb00265.x
Piętka 2015: Piętka, Radosław. ROMA AETERNA: Rzymska mitologia urbanistyczna, Poznań: Wydawnictwo Naukowe UAM, 2015.
Piętka 2019: Piętka, Radosław. “Komediowa Eneida”, Symbolae Philologorum Posnaniensium Graecae et Latinae 29 no. 1 (2019): 27–41. DOI: https://doi.org/10.14746/sppgl.2019.XXIX.1.2
Ruiz Andikoetxea 2020: O. Ruiz Andikoetxea. Dido and Aeneas. Virgilian Influence on Henry Purcell. Accessed January 3, 2024 from Dido and Aeneas.pdf.
Sapota 2009: Sapota, Tomasz. “Rzymska idea samobójstwa”, Symbolae Philologorum Posnaniensium Graecae et Latinae 19 (2009): 281–287.
Sapota 2016: Sapota, Tomasz. “Martwa Dydona”, Symbolae Philologorum Posnaniensium Graecae et Latinae 26 no. 1 (2016): 5–18. DOI: https://doi.org/10.14746/sppgl.2016.XXVI.1.1
Schade 2014: Schade, Gerson. “You too, my child? On trust and perfidy in classical literature”, Symbolae Philologorum Posnaniensium Graecae et Latinae 24 no. 1 (2014): 185–201. DOI: https://doi.org/10.14746/SPPGL.2014.XXIV.1.11
Skwara 2014: Skwara, Ewa. “Hannibal ante oculos. A Comic Image of an Enemy”. In Attitudes towards the Past in Antiquity Creating Identities. Proceedings of an International Conference held at Stockholm University 15-17 May 2009, edited by Alroth, Britta, Charlotte Scheffer, Stockholm: Arja Karivieri, Institutionen för arkeologi och antikens kultur, 2014, 267–271.
Vincenzi 1985: R. Vicenzi. “Cartagine nell’ Eneide”, Aevum 59 no. 1 (1985): 97–106.
Wesołowska 2012: Wesołowska, Elżbieta. “Noc u Wergiliusza”. In Noc. Symbol–Temat–Metafora, vol. II, Noce polskie – noce niemieckie, edited by Ławski, Jarosław, Krzysztof Korotkich, Marcin Bajko, Białystok: Wydawnictwo Trans Humana, 2012, 65–71.
Zarzycka-Stańczak 2002: Zarzycka-Stańczak Krystyna. “Idem sacra cano. Poeta i prynceps w Fasti Owidiusza”, Roczniki Humanistyczne 50 no. 3 (2002): 5–26.
Licencja
Prawa autorskie (c) 2024 Elżbieta Wesołowska
Utwór dostępny jest na licencji Creative Commons Uznanie autorstwa 4.0 Międzynarodowe.