Abstract
Generically, M. Butor's Mobile is an unclassifiable product because of its deliberately confusing form. This is a text whose aesthetics is not very common and whose value is emphasized by the scriptural deviations it hides. From the abundance of the typographic blanks (and their "geometrisation") to the mixture of the characters, passing through the syntactic sabotage, everything is expressed in a dynamics of break-up and incompletion. The whole resembles, in its homogenous heterogeneity, a collage or rather these blankets - the "quilts" - made by craftsmen of different pieces of cloth sewn together and frequently referred to by Butor in this Study for a representation of the United States.References
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Butor (1974), (Actes du colloque de Cerisy-La-Salle), Raillard Georges (sous la direction). Paris : U.G.E., « 10/18 », 452 pages.
Butor et l ’Amérique (1998), (Colloque de Queen’s University), Calle-Gruber Mireille (sous la direction). Paris-Montréal : L ’Harmattan, « Trait d ’Union », 272 pages.
Groupe Mu (1978), Collages. Paris : Union General d ’Editions, « 10/18 ». Le « Nouveau Roman » en questions 3 : le Créateur et la Cité, (1999), Allemand Roger-Michel (sous la direction). Paris-Caen : Lettres Modemes Minard, « La Revue des Lettres M odem es/L’Icosathèque 16 », 1999, 199 pages.
Lexique des termes littéraires, (2201) (sous la direction de Jarrety Michel). Paris : Librairie Generale Franęaise, « Le Livre de Poche », 475 pages.
Revue:
« L ’Arc », n° 39, (1969), (Butor), 103 pages.
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