Abstract
In this publication we would like to consider the issue of discursive strategy responsible for mediatisation of the migrant crisis currently taking place in Europe, partly as a result of military actions in the Middle East. The first objective is to describe media representation of the European migrant crisis published in the French and Polish press over the last five years. The author especially emphasizes one discursive moment, year 2015, when a significant increase in the number of migrants arriving in Europe occurred. The next task will be to assess the argumentative potential that results from a particular staging of the discussed event.References
Amar Diaz, M. (2010). El velo de Occidente. Revista Hoja de Ruta, 32. Retrieved from http://www.hojaderuta.org/ver_articulos.php?id_texto=569&id_revista=42
Amossy, R. (2006). L’argumentation dans le discours. Paris : Armand Colin.
Amossy, R., Herschberg Pierrot, A. (1997). Stéréotypes et clichés. Langue, discours, société. Paris : Nathan.
Anscombre, J.-C. (1995). Théorie des topoï. Paris : Kimé.
Augé, M. (1992).
Bugnot, M.-A. (2012). Traduction des discours sur l’islam dans la presse de France et d’Espagne. Meta, 57(4), pp. 977-996. Retrieved from http://www.erudit.org/revue/meta/2012/v57/n4/1021228ar.html. DOI:10.7202/1021228ar
Calabrese, L. (2009). Nommer un événement ou les marges du sens dans les désignations médiatiques : l’exemple de la canicule. In I. Evrard, M. Pierrard, L. Rosier, D. van Raemdonck (éds), Le sens en marge. Représentations linguistiques et observables discursifs (pp. 15-28). Paris : L’Harmattan.
Calabrese-Steimberg, L. (2011). De Hiroshima aux Twin Towers : les désignants d’événements, une mémoire de l’actualité ? Itinéraires : littérature, textes, cultures, 2. Retrieved from https://itineraires.revues.org/157
Calabrese, L. (2013). L’événement en discours. Presse et mémoire sociale. Louvain-la-Neuve : Academia-L’Harmattan.
Charaudeau, P. (2005). Les médias et l’information. L’impossible transparence du discours. Bruxelles : De Boeck.
Kluszczyński, R. W. (2008). Doświadczenie – pamięć – tożsamość. Doświadczenie medialne jako fundament hybrydycznej tożsamości. In A. Zeidler-Janiszewska, R. Nycz (éds),
Lugrin, G. (2001). Le mélange des genres dans l’hyperstructure. Semen, 13. Retrieved from http://semen.revues.org/2654
Siblot, P. (2001). De la dénomination à la nomination. Cahiers de praxématique, 36. Retrieved from http://praxematique.revues.org/368
Sini, L. (2015). Événements, discours, médias : réflexions à partir de quelques travaux récents. Argumentation et Analyse du Discours, 14. Retrieved from http://aad.revues.org/1912. DOI: 10.4000/aad.1912
Thomson, J. B. (1995). The Media and Modernity: A Social Theory of the Media. Stanford : University Press.
Tomaszkiewicz, T. (2006). Przekład audiowizualny. Warszawa : Wydawnictwo Naukowe PWN.
Veniard, M. (2007). La nomination d’un événement dans la presse quotidienne nationale. Une étude sémantique et discursive : la guerre en Afghanistan et le conflit des intermittents dans « Le Monde » et « Le Figaro » (thèse de doctorat en sciences du langage). Université Sorbonne Nouvelle, Paris III.
Veniard, M. (2013). La nomination des événements dans la presse. Essai de sémantique discursive. Besançon : Presses universitaires de Franche-Comté.
License
- The Author hereby warrants that he/she is the owner of all the copyright and other intellectual property rights in the Work and that, within the scope of the present Agreement, the paper does not infringe the legal rights of another person.The owner of the copyright work also warrants that he/she is the sole and original creator thereof and that is not bound by any legal constraints in regard to the use or sale of the work.
- The Author grants the Purchaser non-exclusive and free of charge license to unlimited use worldwide over an unspecified period of time in the following areas of exploitation:
2.1. production of multiple copies of the Work produced according to the specific application of a given technology, including printing, reproduction of graphics through mechanical or electrical means (reprography) and digital technology;
2.2. marketing authorisation, loan or lease of the original or copies thereof;
2.3. public performance, public performance in the broadcast, video screening, media enhancements as well as broadcasting and rebroadcasting, made available to the public in such a way that members of the public may access the Work from a place and at a time individually chosen by them;
2.4. inclusion of the Work into a collective work (i.e. with a number of contributions);
2.5. inclusion of the Work in the electronic version to be offered on an electronic platform, or any other conceivable introduction of the Work in its electronic version to the Internet;
2.6. dissemination of electronic versions of the Work in its electronic version online, in a collective work or independently;
2.7. making the Work in the electronic version available to the public in such a way that members of the public may access the Work from a place and at a time individually chosen by them, in particular by making it accessible via the Internet, Intranet, Extranet;
2.8. making the Work available according to appropriate license pattern Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) as well as another language version of this license or any later version published by Creative Commons. - The Author grants the Adam Mickiewicz University in Poznan permission to:
3.1. reproduce a single copy (print or download) and royalty-free use and disposal of rights to compilations of the Work and these compilations.
3.2. send metadata files related to the Work, including to commercial and non-commercial journal-indexing databases. - The Author declares that, on the basis of the license granted in the present Agreement, the Purchaser is entitled and obliged to allow third parties to obtain further licenses (sublicenses) to the Work and to other materials, including derivatives thereof or compilations made based on or including the Work, whereas the provisions of such sub-licenses will be the same as with the attributed license pattern Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)or another language version of this license, or any later version of this license published by Creative Commons. Thereby, the Author entitles all interested parties to use the work, for non-commercial purposes only, under the following conditions:
4.1. acknowledgment of authorship, i.e. observing the obligation to provide, along with the distributed work, information about the author, title, source (link to the original Work, DOI) and of the license itself.
4.2. the derivatives of the Work are subject to the same conditions, i.e. they may be published only based on a licence which would be identical to the one granting access to the original Work. - The University of Adam Mickiewicz in Poznań is obliged to
5.1. make the Work available to the public in such a way that members of the public may access the Work from a place and at a time individually chosen by them, without any technological constraints;
5.2. appropriately inform members of the public to whom the Work is to be made available about sublicenses in such a way as to ensure that all parties are properly informed (appropriate informing messages).
Other provisions
- The University of Adam Mickiewicz in Poznań hereby preserves the copyright to the journal as a whole (layout/stylesheet, graphics, cover design, logo etc.)