Abstract
The scope of the article is to reflect upon the argument of animality in the work of the Sicilian poet Jolanda Insana (1937-2016) which represents one of the possible interpretive keys of her works. The analytical part of the paper contains an analysis from the anti-anthropocentric perspective of some fragments of the section Bestia clandestina included in the volume Turbativa d’incanto (2012).References
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SITOGRAFIA Lo Castro, G. “Pupara sono”. Il teatro bruciante della poesia di Jolanda Insana. Progetto Oblio, Osservatorio Bibliografico della Letteratura Italiana Otto-novecentescac, III, 60-68. Retrieved from http://www.progettoblio.com/files/d9-10.pdf [accesso 12.11.2017].
Turbativa d’incanto di J. Insana per SEMINARIA-Auser, con La cultura accanto, 8 maggio 2014, Cosenza. Retrieved from https://www.youtube.com/watch?v=c9-RE12QnTc [accesso 20.10.2017].
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