Attractions of Evil: The persuasive discourse in Rolling Stones’ Sympathy for the Devil and Extremoduro’s Jesucristo García.
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Keywords

Contemporary Popular Music
lyrics
devil
metonymy

How to Cite

Gregori i Gomis, A. (2010). Attractions of Evil: The persuasive discourse in Rolling Stones’ Sympathy for the Devil and Extremoduro’s Jesucristo García. Studia Romanica Posnaniensia, 37(1), 99–115. https://doi.org/10.14746/strop.2010.371.008

Abstract

Dealing with discourses produced in Contemporary Popular Music, it is usual in contemporary youth’s imaginary to find rock considered as metonymic with authenticity, remaining as a movement an outstanding extension of Romanticism. Then, when drawing out its motifs from Satanism, successful rock lyrics need a rhetorical stylization in order to construct persuading songs beyond traditional morals. The main goal of this article is to analyze and compare this kind of stylization in Rolling Stones’s Sympathy for the Devil and Jesucristo García, written by the Spanish band Extremoduro, taking them both as examples of popularized dramatic monologues that present the topic of attraction of Evil performed by devilish figures.
https://doi.org/10.14746/strop.2010.371.008
PDF (Español (España))

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