Abstract
Belgian novelist Marie Gevers lived all her life surrounded by venerable trees alongside a pond, in the gorgeous estate of Missembourg. Her imagination and sensibility were deeply impregnated by the changing of natural elements and seasons, which were enhanced as authentic characters in her literary work. Plaisir des météores (1938) is emblematic of this impregnation, being a personal and poetical rewriting of legendary almanacs, which invigorated less-literate populations in the remote countryside for centuries after the invention of the printing press. Enlightened by this particular tradition and an analysis of the author’s creative stylistic devices, season renewal appears as an everlasting dramaturgy, leading us to adapt ourselves to the world’s perpetual metamorphosis, in a pure Ode to Joy.
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