Keywords
tragedy
Judith
Josep M. de Sagarra
hypertextuality
Bible
How to Cite
Abstract
This This article is a monograph focusing on an analysis of the play Judit by Josep M. de Sagarra. The author’s only tragedy, and unique among his works, was first performed in Barcelona in 1929. It is a little-studied work, doubtless due to its lack of success with theatre audiences, although Sagarra himself had a high opinion of it. To carry out our analysis, we will make use of the analytic tools introduced by Gérard Genette in his Palimpsestes (1982) around hypertextuality and, more specifically, we will consider this work as a transformation of the biblical story, paying special attention to the new material Segarra brought to this text.article is a monograph focusing on an analysis of the play Judit by Josep M. de Sagarra. The author’s only tragedy, and unique among his works, was first performed in Barcelona in 1929. It is a little-studied work, doubtless due to its lack of success with theatre audiences, although Sagarra himself had a high opinion of it. To carry out our analysis, we will make use of the analytic tools introduced by Gérard Genette in his Palimpsestes (1982) around hypertextuality and, more specifically, we will consider this work
as a transformation of the biblical story, paying special attention to the new material Segarra brought to this text.
Funding
Aquest treball s’inscriu dins el projecte d’investigació del Ministerio de Ciencia e Innovación FFI2017-86542-P titulat La literatura de segundo grado: las relaciones hipertextuales en la literatura catalana desde el “Modernisme” hasta 1939. Més informació sobre l’activitat del grup investigador a: http://www.uv.es/ironialitcat/.
References
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