Abstract
The article analyzes the image of Buenos Aires in the narrative of Ana María Shua, an Argentine writer of Polish Jewish descent. Urban space plays an important role in her prose described often as apocalyptic or dystopian. Through a historiographical metafiction, the author rewrites the memory of the ancestors in El libro de los recuerdos (2007), a novel that presents the life of Jewish immigrants in the capital of Argentina, divided into neighborhoods marked by their ethnicity. Eroticism and the use of the female body are, on the other hand, the topics that dominate in the author’s collection of micro-stories titled Casa de geishas (2009), where the brothel is described as a singular ghetto, rooted in the city panorama. Finally, the novel La muerte como efecto secundario offers a dystopic description of a future of a ghettoized city, where compulsory geriatric ghettos become a reality. The article, based on the analysis of the aforementioned works, presents a critical look at the use of the concept of “ghetto” or “urban island” in the construction of the narrative structure and space in Ana María Shua’s fiction.
References
Cánovas, R. (2003). Sexualidad y cultura en la novela hispanoamericana: la alegoría del prostíbulo. Santiago: Lom Ediciones.
Cenizo Ruiz-Bravo, C. (2018). Entrevista a Ana María Shua. Microtextualidades, 3, 187-192.
Dahl Buchanan, R. (1998). Historiographic Metafiction In Ana Maria Shua’s El libro de los recuerdos. Revista Interamericana de Bibliografía, 48.2. Recuperado de: http://www.educoas.org/portal/bdigital/contenido/rib/rib_1998-2/articulo1/article.aspx?culture=pt&print=true [consulta: 01.02.2021].
Dahl Buchanan, R. (2000). Visiones apocalípticas en una novela argentina: La muerte como efecto secundario de Ana María Shua. Revista Iberoamericana, LXVI, 192, 545-555.
Dapía, S.G. (2008). Polish and Jewish Identities in the Narratives of Ana María Shua. Polish American Studies, LXV, 2, 53-69.
Deyermond, A.D. (2008). Hacia una lectura feminista de la Celestina. Medievalia, 40, 74-85.
Di Gerónimo, M. (2010) Intimidad, deseo y erotismo en Casa de geishas de Ana María Shua. Cuadernos del CILHA, 13, 21-29.
Foster, D.W. (2001). Ana María Shua: yddish and cultural memory. In R.D. Buchanan (ed.), El río de los sueños: Aproximaciones críticas a la obra de Ana María Shua. Washington: Interamer. Recuperado de: http://www.educoas.org/Portal/bdigital/contenido/interamer/interamer_70/ens3_2/index.aspx?-culture=en&navid=221 [consulta: 01.02.2021].
Hutcheon, L. (1988). A Poetics of Postmodernism: History, Theory, Fiction. New York: Routledge.
Janoschka, M. (2002). El nuevo modelo de la ciudad latinoamericana: fragmentación y privatización. Revista eure, XXVIII (85), 11-29.
Levin, Y.J. (2017). Las primeras poblaciones agrícolas judías en la Argentina (1896-1914). Crisis y expansión de las colonias fundadas por The Jewish Colonization Association. Buenos Aires: Editorial Teseo.
Murcia Martínez, M. del C. (2016). La perversión del lenguaje femenino en relatos de Ana María Shua y Silvina Ocampo. Madrid: Universidad Complutense de Madrid [tesis doctoral].
O’Connell, P.L. (1999). Historical Memory, Parody, and the Use of Photography in Ana María Shua’s El libro de los recuerdos. World Literature Today, 1. Recuperado de: https://www.thefreelibrary.com/Historical+Memory%2c+Parody%2c+and+the+Use+of+Photography+in+Ana+Maria...-a054743310 [consulta: 01.02.2021].
Pollack, B. (2001). Scribe of Time and Memory: [Con]Textualizing the Jewish Experience in Ana María Shua. In R.D. Buchanan (ed.), El río de los sueños: Aproximaciones críticas a la obra de Ana María Shua (pp. 117-128). Washington: Interamer.
Reati, F. (2006). Postales del porvenir: la literatura de anticipación en la Argentina neoliberal (1985-1999). Buenos Aires: Biblos.
Sabatini, F., Brain, I. (2008). La segregación, los guetos y la integración social urbana: mitos y claves. Revista Eure, XXXIV (103). Recuperado de: https://scielo.conicyt.cl/scielo.php?pid=S0250-71612008000300001&script=sci_arttext&tlng=en [consulta: 01.02.2021]. DOI: http://dx.doi.org/10.4067/S0250-71612008000300001.
Shua, A.M. (1997). La muerte como efecto secundario. Buenos Aires: Emecé Editores.
Shua, A.M. (2007). El libro de los recuerdos. Buenos Aires: Emecé Editores [Ebook].
Shua, A.M. (2009). Cazadores de letras. Minificción reunida. Madrid: Páginas de Espuma.
Shua, A.M. (2012). “¿Vos, escritora judía?”, dijo mi bobe. In V. Dolle (ed.), Múltiples identidades. Literatura judeo-latinoamericana de los siglos XX (pp. 29-41). Madrid: Iberoamericana-Verveurt.
Valdés, E. (1999). La ciudad dual y los nuevos fragmentos urbanos: los guetos de la riqueza. Administración Pública y Sociedad, 12, 1-16. Recuperado de: https://ffyh.unc.edu.ar/alfilo/anteriores/alfilo-18/pdf/valdes.pdf [consulta: 01.02.2021].
Valdés, E. (2010). Fragmentación y segregación urbana. Aportes teóricos para el análisis de casos en la ciudad de Córdoba, Universidad Nacional de Córdoba. Recuperado de: http://www.ffyh.unc.edu.ar/alfilo/anteriores/alfilo-8/pdf/valdes.pdf [consulta: 01.02.2021].
Viu, A. (2007). Una poética para el encuentro entre historia y ficción. Revista Chilena de Literatura, 70, 167-178. Recuperado de: https://scielo.conicyt.cl/scielo.php?pid=S0718-22952007000100008&script=sci_arttext [consulta: 01.02.2021]. DOI: http://dx.doi.org/10.4067/S0718-22952007000100008.
Wacquant, L. (2004). Las dos caras de un gueto. La construcción de un concepto sociológico. Trad. M. Silva. Renglones, 56, 72-80.
Zapata, M. (2001). Argentinas, escritoras y de buen talante. Hispanística, XX (18), 199-216.
License
- The Author hereby warrants that he/she is the owner of all the copyright and other intellectual property rights in the Work and that, within the scope of the present Agreement, the paper does not infringe the legal rights of another person.The owner of the copyright work also warrants that he/she is the sole and original creator thereof and that is not bound by any legal constraints in regard to the use or sale of the work.
- The Author grants the Purchaser non-exclusive and free of charge license to unlimited use worldwide over an unspecified period of time in the following areas of exploitation:
2.1. production of multiple copies of the Work produced according to the specific application of a given technology, including printing, reproduction of graphics through mechanical or electrical means (reprography) and digital technology;
2.2. marketing authorisation, loan or lease of the original or copies thereof;
2.3. public performance, public performance in the broadcast, video screening, media enhancements as well as broadcasting and rebroadcasting, made available to the public in such a way that members of the public may access the Work from a place and at a time individually chosen by them;
2.4. inclusion of the Work into a collective work (i.e. with a number of contributions);
2.5. inclusion of the Work in the electronic version to be offered on an electronic platform, or any other conceivable introduction of the Work in its electronic version to the Internet;
2.6. dissemination of electronic versions of the Work in its electronic version online, in a collective work or independently;
2.7. making the Work in the electronic version available to the public in such a way that members of the public may access the Work from a place and at a time individually chosen by them, in particular by making it accessible via the Internet, Intranet, Extranet;
2.8. making the Work available according to appropriate license pattern Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) as well as another language version of this license or any later version published by Creative Commons. - The Author grants the Adam Mickiewicz University in Poznan permission to:
3.1. reproduce a single copy (print or download) and royalty-free use and disposal of rights to compilations of the Work and these compilations.
3.2. send metadata files related to the Work, including to commercial and non-commercial journal-indexing databases. - The Author declares that, on the basis of the license granted in the present Agreement, the Purchaser is entitled and obliged to allow third parties to obtain further licenses (sublicenses) to the Work and to other materials, including derivatives thereof or compilations made based on or including the Work, whereas the provisions of such sub-licenses will be the same as with the attributed license pattern Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)or another language version of this license, or any later version of this license published by Creative Commons. Thereby, the Author entitles all interested parties to use the work, for non-commercial purposes only, under the following conditions:
4.1. acknowledgment of authorship, i.e. observing the obligation to provide, along with the distributed work, information about the author, title, source (link to the original Work, DOI) and of the license itself.
4.2. the derivatives of the Work are subject to the same conditions, i.e. they may be published only based on a licence which would be identical to the one granting access to the original Work. - The University of Adam Mickiewicz in Poznań is obliged to
5.1. make the Work available to the public in such a way that members of the public may access the Work from a place and at a time individually chosen by them, without any technological constraints;
5.2. appropriately inform members of the public to whom the Work is to be made available about sublicenses in such a way as to ensure that all parties are properly informed (appropriate informing messages).
Other provisions
- The University of Adam Mickiewicz in Poznań hereby preserves the copyright to the journal as a whole (layout/stylesheet, graphics, cover design, logo etc.)