Abstract
Focusing on the success of Florina Ilis’ novel The children’s crusade, this article explores its potential as a literary contribution in a broader global discourse, as it could be considered “literary Romanian capital” in a discussion about world literature. While the book draws on clichéd stereotypes of Romanian society from the early 2000s, including the Ceaușescu era and the challenging transition from communism to democracy, the author uses a universal language of trauma. This allows for a wider audience to engage with the themes presented in the novel. Thus, her story becomes part of a global collection of works exploring the theme of the “children’s crusade” (including George Zabriskie Gray, Marcel Schwob, Lucian Blaga, Jerzy Andrzejewski, Thea Beckman, Gregory J. Rinaldi, Karleen Bradford, Kathleen McDonnell, Bryce Courtenay, Mario Vargas Llosa, Tullio Avoledo, amongst others). Considering the connection between continuity and innovation in Romanian literature, 75 years following Lucian Blaga’s play, with the same title, Florina Ilis employs a plot with medieval roots in her novel, which has fascinated writers worldwide, to deliver a unique perspective, in a new discourse.
References
Agopian, Ş. (2006). Din punct de vedere est-epic. Academia Caţavencu. https://atelier.liternet.ro/articol/3218/Stefan-Agopian-Doris-Mironescu/Coruptie-si-inocenta-intre-Golding-si-Ilis.html.
Balinte, C.M. (2017). Florina Ilis. În Dicţionarul general al literaturii române (vol. H/L, pp. 236-238).
Bucureşti: Editura Muzeul Literaturii Române.
Borbély, Ş. (2006). Cruciada copiilor. Apostrof, 3 (190), 11.
Ciotloș, C. (2007). Încercarea prozatorului. România literară, 38, 7.
Cordoș, S. (2006). Româniada. Vatra, 1-2 (418-419), 43-44.
Deleuze, G. & Guattari, F. (2013). Mii de platouri. Capitalism și schizofrenie 2. Traducere din limba franceză de Bogdan Ghiu. București: Editura Art.
Dumănescu, L. (2007). Introducere în istoria copilăriei. Trecutul unei discipline de la Aries la SHCY. In E. Mihalache & A. Cioflanca (eds.), In Medias Res. Studii de istorie culturală (pp. 24-42). Iaşi: Editura Universității „Al. I. Cuza”.
Gârbea, H. (2008). Florina Ilis: „Nu cred că există reţete ale succesului. Sau, chiar dacă ele există, în orice caz eu nu le cunosc”. Ramuri, 2. http://revistaramuri.ro/index.php?id=394&editie=21&autor=Un%20interviu%20on-line%20de%20Horia%20G%E2rbea.
Heywood, C. (2009). A History of childhood. Children and childhood in the West from medieval to modern times. Cambridge: Polity Press.
Ilis, F. (2008). Chemarea lui Matei (ed. a II-a). București: Cartea Românească. Ilis, F. (2011). Cruciada copiilor. Iași: Polirom.
Király, V.I. (2010). A Crusade… with and without a cross – A review-like essay on the Hungarian edition of Florina Ilis’s novel. Philobiblon, XV, 578-585.
Orian, G. (2020). Cruciada copiilor – calea spre metaforă. Annales Universitatis Apulensis. Series Philo- logica, 21 (1), 117-137.
Orian, G. (2022). Fonchito în România. Discobolul, 298-299-300, 138-142.
Orian, G. (2023). Un necunoscut celebru: Marcel Schwob (1867-1905). In M. Miheţ (ed.), Collective Identity. National and Transnational Perspectives (pp. 259-278). Bratislava: Univerzita Komenské- ho v Bratislave.
Pătrășconiu, C. (2019). Florina Ilis: „Trebuie să îți iubești toate personajele, pentru că, numai iubindu-le, te poți apropia de ele”. România literară, 8. https://romanialiterara.com/2019/03/florina-ilis-trebuie-sa-iti-iubesti-toate-personajele-pentru-ca-numai-iubindu-le-te-poti-apropia-de-ele/.
Petraș, I. (2007), Florina Ilis – Cruciade și nori colorați. Contemporanul – Ideea europeană, 12 (669), 4.
Șimonca, O. (2006). „România este o problemă care mă bântuie de mult timp“. Interviu cu Florina Ilis. Observator cultural, 313. https://www.observatorcultural.ro/articol/romania-este-o-problema-carema-bintuie-de-mult-timp-interviu-cu-florina-ilis-2/.
Terian, A. (2015). Romanian literature for the world: a matter of property. World Literature Studies, 2 (7), 3-14.
Vasilache, S. (2006a). Am îndemnat-o pe Doamna T. să scrie…, interviu cu Florina Ilis, realizat de Simona Vasilache. România literară, 10, 18-19.
Vasilache, S. (2006b). Train grande vitesse [Recenzia cărții Cruciada copiilor de F. Ilis]. România literară, 51-52, 10.
License
Copyright (c) 2023 Georgeta Orian
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
- The Author hereby warrants that he/she is the owner of all the copyright and other intellectual property rights in the Work and that, within the scope of the present Agreement, the paper does not infringe the legal rights of another person.The owner of the copyright work also warrants that he/she is the sole and original creator thereof and that is not bound by any legal constraints in regard to the use or sale of the work.
- The Author grants the Purchaser non-exclusive and free of charge license to unlimited use worldwide over an unspecified period of time in the following areas of exploitation:
2.1. production of multiple copies of the Work produced according to the specific application of a given technology, including printing, reproduction of graphics through mechanical or electrical means (reprography) and digital technology;
2.2. marketing authorisation, loan or lease of the original or copies thereof;
2.3. public performance, public performance in the broadcast, video screening, media enhancements as well as broadcasting and rebroadcasting, made available to the public in such a way that members of the public may access the Work from a place and at a time individually chosen by them;
2.4. inclusion of the Work into a collective work (i.e. with a number of contributions);
2.5. inclusion of the Work in the electronic version to be offered on an electronic platform, or any other conceivable introduction of the Work in its electronic version to the Internet;
2.6. dissemination of electronic versions of the Work in its electronic version online, in a collective work or independently;
2.7. making the Work in the electronic version available to the public in such a way that members of the public may access the Work from a place and at a time individually chosen by them, in particular by making it accessible via the Internet, Intranet, Extranet;
2.8. making the Work available according to appropriate license pattern Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) as well as another language version of this license or any later version published by Creative Commons. - The Author grants the Adam Mickiewicz University in Poznan permission to:
3.1. reproduce a single copy (print or download) and royalty-free use and disposal of rights to compilations of the Work and these compilations.
3.2. send metadata files related to the Work, including to commercial and non-commercial journal-indexing databases. - The Author declares that, on the basis of the license granted in the present Agreement, the Purchaser is entitled and obliged to allow third parties to obtain further licenses (sublicenses) to the Work and to other materials, including derivatives thereof or compilations made based on or including the Work, whereas the provisions of such sub-licenses will be the same as with the attributed license pattern Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)or another language version of this license, or any later version of this license published by Creative Commons. Thereby, the Author entitles all interested parties to use the work, for non-commercial purposes only, under the following conditions:
4.1. acknowledgment of authorship, i.e. observing the obligation to provide, along with the distributed work, information about the author, title, source (link to the original Work, DOI) and of the license itself.
4.2. the derivatives of the Work are subject to the same conditions, i.e. they may be published only based on a licence which would be identical to the one granting access to the original Work. - The University of Adam Mickiewicz in Poznań is obliged to
5.1. make the Work available to the public in such a way that members of the public may access the Work from a place and at a time individually chosen by them, without any technological constraints;
5.2. appropriately inform members of the public to whom the Work is to be made available about sublicenses in such a way as to ensure that all parties are properly informed (appropriate informing messages).
Other provisions
- The University of Adam Mickiewicz in Poznań hereby preserves the copyright to the journal as a whole (layout/stylesheet, graphics, cover design, logo etc.)