Keywords
personal and collective memory
oblivion
identity
Belgian novel
oblivion
identity
Belgian novel
How to Cite
Ślusarska, A. (2016). When History melt into the recalled landscape: the writing of memory and oblivion in Sarah, feuille morte by Jean-Claude Pirotte. Studia Romanica Posnaniensia, 43(4), 103–112. https://doi.org/10.14746/strop.2016.434.008
Abstract
The purpose of this article is to analyse the primordial role of the memory – and his counterpart, the forgetting – in the construction of identity landscape by Belgian writer Jean-Claude Pirotte. Focusing on the memory’s landscapes in Pirotte’s novel, Sarah, feuille morte, we show in what ways the personal and collective memory (Belgian as well as Lotharingian) combine and what are the terms that allow a singular recollection to join or to expand the shared memory.References
Augé, M. (2014). Une ethnologie de soi. Le temps sans âge. Paris : Seuil. « L’Europe des connivences : une pensée géopolitique chez Jean-Claude Pirotte ? », un entretien de Hugues Robaye avec Jean-Claude Pirotte in Confluences, mythes & histoire, textes réunis et présentés par M. Quaghebeur et L. Rossion, Confluências, 21, septembre 2012, 147-165.
Pirotte, J.-C. (1989). Sarah, feuille morte. Cognac : Le temps qu’il fait.
Pirotte, J.-C. (1991). Fond de cale. Cognac : Le temps qu’il fait.
Pirotte, J.-C. (1994). Plis perdus. Paris : La Table Ronde.
Pirotte, J.-C. (2002). Un rêve en Lotharingie, Tolède : Éditions Pileas Fogg.
Yves, J., Tadié, M. (1999). Le sens de la mémoire. Paris : Gallimard.
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