Abstract
Marie-Claire Blais seeks to innovate, throughout her career, her 'antimimétique' writing. Her extensive pentalogy - Soifs (1995), Dans la foudre et la lumière (2001), Augustino et le choeur de la destruction (2005), Naissance de Rebecca à l’ère des tourments (2008), Mai au bal des prédateurs (2010) – offers a complex existential questioning of the actual situation of the man. The problem of Evil and Good, which is in the heart of questions and answers, is treated with an original narration, transforming Virginia Woolf’s stream of consciousness. This innovation, however, is rooted in the tradition, namely its baroque poetics and its community orientation, both attached to the affirmation / negation of the catholic heritage that marked Quebec.References
Blais, M.-C. (1997). Soifs. Montréal: Boréal.
Blais, M.-C. (2001). Dans la foudre et la lumière. Montréal: Boréal.
Blais, M.-C. (2005). Augustino et le choeur de la destruction. Montréal : Boréal.
Blais, M.-C. (2008). Naissance de Rebecca à l'ère des tourments. Montréal: Boréal.
Blais, M.-C. (2010). Mai au bal des prédateurs. Montréal: Boréal.
Belleau, A. (1999). Le romancier fictif. Essai sur la représentation de l'écrivain dans le roman québécois. Québec: Nota bene.
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Kyloušek, P. (2011). La poétique baroquisante de Marie-Claire Blais. Voix et Images, XXXVII, no 1 (109), 57-71. http://dx.doi.org/10.7202/1006462ar
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