Abstrakt
The article is devoted to studying the recent phenomenon concerning a new model of the hero in Russian dramaturgy based on the example of Nikolai Kolada’s plays. All of the characters are deprived of their traditional features and they function as language constructs, discursive practices or a “Voice”.
Licencja
Copyright
© 2014 Uniwersytet im. Adama Mickiewicza w Poznaniu
OPEN ACCESS