Vol. 50 No. 2 (2025)

Articles

Giulia Baselica
15-29
If art is a lie that brings us closer to the truth, can Russian literature be read after the Bucha massacre?
https://doi.org/10.14746/strp.2025.50.2.1
PDF
Efraim Podoksik
31-49
Dostoevsky after Bucha
https://doi.org/10.14746/strp.2025.50.2.2
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Iwona Anna Ndiaye
51-71
The works of Fyodor Dostoyevsky and Leo Tolstoy during the Russian-Ukrainian war. Pro et contra in French media discourse
https://doi.org/10.14746/strp.2025.50.2.3
PDF (Język Polski)
Oleg Rumyantsev, Olha Tuluzakova
73-91
Hate speech in the Russian mass-media at the present stage
https://doi.org/10.14746/strp.2025.50.2.4
PDF (Русский)
Daniyar Sabitov
93-106
“russia” with a lowercase letter: A mythological approach
https://doi.org/10.14746/strp.2025.50.2.5
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Ivan Posokhin
107-119
Reflections on the new emigration: Images, practices, and texts
https://doi.org/10.14746/strp.2025.50.2.6
PDF (Русский)
Ivan Smirnov
121-132
The existential tragedy of migrants in the narratives of Fyodor Stepun
https://doi.org/10.14746/strp.2025.50.2.7
PDF (Русский)
Liliana Kalita
133-146
The knockout of citizens. The culture of violence in Russia and its representation in Natalia Klyucharyova’s work Wagon Russia
https://doi.org/10.14746/strp.2025.50.2.8
PDF (Język Polski)
Benjamin Sutcliffe
147-161
Time to live: Writing war and empire in the South Caucasus
https://doi.org/10.14746/strp.2025.50.2.9
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Duccio Colombo
163-179
Stars in Saturn: Semiotic war in Russia and in the Soviet Union
https://doi.org/10.14746/strp.2025.50.2.10
PDF (Русский)
Larissa Naiditch
181-201
Visual vs. verbal space of art in the semiotics of Juri Mikhailovich Lotman. A study of still life
https://doi.org/10.14746/strp.2025.50.2.11
PDF (Русский)