Abstrakt
Język, literatura, muzykaBibliografia
Agawu, Kofi 2014. Music as discourse: Semiotic adventures in romantic music. Oxford: Oxford University Press.
Arvaniti, Amalia 2012. The usefulness of metrics in the quantification of speech rhythm. Journal of Phonetics, 40(3), 351-373.
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Bloom, Paul (red.) 1999. Language and space. MIT Press.
Brown, Calvin S. 1970. The Relations between Music and Literature as a Field of Study. Comparative Literature, 22(2): 97-107. doi:10.2307/1769755
Bryant, David J. 1997. Representing space in language and perception. Mind & Language, 12(3‐4): 239-264.
Corballis, Michael C. 2003. From hand to mouth: The origins of language. Princeton University Press.
Evans, Vyvyen i Chilton, Paul 2007. Language, cognition and space. Equinox.
Fedorenko, Evelina, Patel, Annirudh, Casasanto, D., Winawer, Jonathan i Gibson, Edward 2009. Structural integration in language and music: Evidence for a shared system. Memory & cognition, 37(1): 1-9.
Feld, Steven i Fox, Aaron A. 1994. Music and language. Annual Review of Anthropology, 23(1): 25-53.
Finney, G. L. 1962. Musical backgrounds for English literature: 1580 – 1650. Rutgers University Press.
Gilbers, Dicky i Schreuder, Maartje 2002. Language and music in Optimality Theory. ROA-571.
Gold, Ben, Morgan, Nelson, & Ellis, Dan 2011. Speech and audio signal processing: processing and perception of speech and music. John Wiley & Sons.
Grim, William E. 1988. The Faust legend in music and literature (Vol. 1). Edwin Mellen Pr.
Jackendoff, Ray 2009. Parallels and nonparallels between language and music. Music Perception: An Interdisciplinary Journal, 26(3): 195-204.
Knobloch, Ferdinand, Poštolka, Milan, & Srnec, Jan 1964. Musical Experience as Interpersonal Process: A Contribution to the Semantics of Music. Psychiatry, 27(3): 259-265.
Kochanowska, Agata 2017. Gdy słowo musi być posłuszne dźwiękowi. Librecista Ryszard Wagner i jego Pierścień Nibelunga. Wydział Neofilologii UAM w Poznaniu.
Koelsch, Stefan, Rohrmeier, Martin, Torrecuso, Renzo i Jentschke, Sebastian 2013. Processing of hierarchical syntactic structure in music. Proceedings of the National Academy of Sciences, 110(38): 15443-15448.
Laske, Otto E. 1973. In search of a generative grammar for music. Perspectives of New Music, 351-378.
Lerdahl, Fred i Jackendoff, Ray 1985. A generative theory of tonal music. MIT press.
Levinson, Stephen C. 2003. Space in language and cognition: Explorations in cognitive diversity (Vol. 5). Cambridge University Press.
Levitin, Daniel J. i Menon, Vinod 2003. Musical structure is processed in “language” areas of the brain: a possible role for Brodmann Area 47 in temporal coherence. Neuroimage, 20(4): 2142-2152.
Liu, Fang, Patel, Aniruddh D. Fourcin, Adrian i Stwart, Lauren 2010. Intonation Processing in Congenital Amusia: Discrimination, Identification and Imitation. Brain, 133, nr 6: 1682-93.
London, Justin 2012. Three Things Linguists Need to Know About Rhythm and Time in Music. Empirical Musicology, Rev. 7, 5–11.
Maess, Burkhard, Koelsch, Stefan, Gunter, Thomas C., Friederici, Angela 2001. Musical syntax is processed in the area of Broca: A MEG study. Nature Neuroscience, 4: 540-545.
Marques, Carlos, Moreno, Sylvain, Castro, São Luís, & Besson, Mireille 2007. Musicians detect pitch violation in a foreign language better than nonmusicians: behavioral and electrophysiological evidence. Journal of Cognitive Neuroscience, 19(9): 1453-1463.
Martin, Timothy P. 1991. Joyce and Wagner: a study of influence. Cambridge University Press.
McCormack, Jon 1996. Grammar based music composition. Complex systems, 96, 321-336.
McDermott, Josh i Hauser, Marc 2005. The origins of music: Innateness, uniqueness, and evolution. Music Perception: An Interdisciplinary Journal, 23(1), 29-59.
Meyer, M. J. (red.) 2002. Literature and music. Rodopi.
Mithen, S. 2005. The singing Neanderthal. London: Weidenfeld & Nicholson.
Nattiez, Jean-Jacques 1990a. Can one speak of narrativity in music?. Journal of the Royal Musical Association, 115(2): 240-257.
Nattiez, Jean-Jacques 1990b. Music and discourse: Toward a semiology of music. Princeton University Press.
Patel, Annirudh D. 1998. Syntactic processing in language and music: different cognitive operations, similar neural resources? Music Perception: An Interdisciplinary Journal, 16(1): 27-42.
Patel, Annirudh D. 2005. The relationship of music to the melody of speech and to syntactic processing disorders in aphasia. Annals of the New York Academy of Sciences, 1060(1): 59-70.
Patel, Annirudh D. i Daniele, Joseph R. 2003. An empirical comparison of rhythm in language and music. Cognition, 87(1): B35-B45.
Port, Robert 1983. Isochrony in speech. The Journal of the Acoustical Society of America, 73(S1): S66-S66.
Prince, Alan i Smolensky, Paul 2008. Optimality Theory: Constraint interaction in generative grammar. John Wiley & Sons.
Thomas, Downing A. 1995. Music and the origins of language: Theories from the French Enlightenment. Cambridge University Press.
Thompson W.F., Marin MM, i Stewart L. 2012. Reduced Sensitivity to Emotional Prosody in Congenital Amusia Rekindles the Musical Protolanguage Hypothesis. Proceedings of the National Academy of Sciences of the United States of America, 109, nr 46 (2012): 19027–32.
Wallace, Emma K., Altschul, Drew, Körfer, Karoline, Benti, B., Kaeser, Amanda, Lambeth, Susan, Waller, Bridget, & Slocombe, Katie E. 2017. Is music enriching for group-housed captive chimpanzees (Pan troglodytes)? PloS One, 12(3).
Wasilewska-Chmura, Magdalena 2011. Przestrzeń intermedialna literatury i muzyki: muzyka jako model i tworzywo w szwedzkiej poezji późnego modernizmu i neoawangardy. Wydawnictwo UJ.
Zatorre, Robert J., Belin, Pascual i Penhune, Virginia B. 2002. Structure and function of auditory cortex: music and speech. Trends in cognitive sciences, 6(1), 37-46.