Tonalność języka w pieśni na podstawie utworów ludu Sui

Main Article Content

Hanna Kupś
Kamil Burkiewicz

Abstrakt

This article aims at describing the realization of lexical tones in songs of Sui people. The main focus for research are the drinking and mountain songs, a part of Sui’s abundant oral literature, most commonly used during traditional festivities and social gatherings. The paper starts with the presentation of the state of current research and the description of Sui language and music. What follows is analysis of four Sui songs and conclusions. The methodology of the article is mostly based upon previous accomplishments, in eg. Chan 1987 and Wong & Diehl 2002.

Downloads

Download data is not yet available.

Article Details

Jak cytować
Kupś, H., & Burkiewicz, K. (2018). Tonalność języka w pieśni na podstawie utworów ludu Sui. Investigationes Linguisticae, 36, 24-40. https://doi.org/10.14746/il.2017.36.2.
Dział
Artykuły

Bibliografia

  1. Burkiewicz, Kamil 2015. The Script and Language of the Sui in Southern China: Description, Dictionary, Relations with Chinese Language and Culture. Dysertacja doktorska napisana w Katedrze Orientalistyki Uniwersytetu im. Adama Mickiewicza w Poznaniu.
  2. Bright, William 1957. „Singing in Lushai”. Indian Linguistics, 17. Pp. 24-28.
  3. Chan, Marjorie K. M. 1987. „Tone and melody in Cantonese”. Proceedings of the Thirteenth Annual Meeting of the Berkeley Linguistics Society. Pp. 26-37.
  4. Chao, Yuan Ren 1956. „Tone, intonation, singsong, chanting, recitative, tonal composition and atonal composition in Chinese”. W: M. Halle [&] H. G. Lund [&] H. McLean [&] C. H. Van Schooneveld (ed.). For Roman Jacobson: Essays on the occasion of his sixtieth birthday, 11th October 1956. The Hague: Monton & Co. Pp. 52-59.
  5. Grimes, Barbara 2003. „Language List”. W: Frawley, William (ed.). International Encyclopedia of Linguistics (second edition, vol. 4). Oxford: Oxford University Press.
  6. Kirby, James [&] D. Robert Ladd 2016. „Tone-melody correspondence in Vietnamese popular song”. Tonal Aspects of Languages 24-27 May 2016. Pp. 48-51.
  7. Ladd, D. R. 2013. Singing in tone languages: Phonetic and structural effects. Text of talk presented at the 27th annual meeting of the Phonetic Society of Japan, Kanazawa, September.
  8. Lau, Elaine 2010. „Tone-melody Relationship in Cantonese”. Working Papers in Linguistics: University of Hawai'i at Manoa, 41 (3). Pp. 1-12.
  9. Li Jichang 李繼昌 [&] Zhang Zhongxiao 張中笑 1998. „Shuizu Yinyue” 水族音樂[muzyka Sui]. W: Zhongguo Dabaike Quanshu Zongbianji Weiyuanhui 《Yinyue, Wudao》 Bianji Weiyuanhui (ed.) 中國大百科全書總編輯委員會《音樂,舞蹈》編輯委員會 (編). Zhongguo Dabaike Quanshu: Yinyue, Wudao [wielka Encyklopedia Chińska: Muzyka, Taniec]. Beijing 北京: Zhongguo Dabaike Quanshu Chubanshe中國大百科全書出版社. Pp. 603-604.
  10. Lissoir, Marie-Pierre [&] Didier Demolin 2015. „The relationships between speech tone and melody in the khap singing of Tai Dam in Laos”. Proceedings of the 18th International Congress of Phonetics Sciences. Glasgow: University of Glasgow. Paper number 919, pp. 1-4.
  11. List, George 1961. „Speech melody and song melody in central Thailand”. Ethnomusicology, 5 (1). Pp. 16-32.
  12. Mark, Lindy L. [&] Fang Kuei Li 1966. „Tone and Melody in Wu-Ming Folk Song”. Artibus Asiae. Supplementum, Vol. 23, Essays Offered to G. H. Luce by His Collegues and Friends in Honour of His Seventy-Fifth Birthday. Volume 1: Papers on Asian History, Religion, Languages, Literature, Music Folklore, and Anthropology. Pp. 167-186.
  13. Pan Chaolin潘朝霖 [&] Wei Zonglin韋宗林 2004. Zhongguo Shuizu Wenhua Yanjiu中國水族文化研究 [studia nad kulturą grupy etnicznej Sui w Chinach]. Guiyang貴陽: Guizhou Minzu Chubanshe貴州人民出版社.
  14. Pan Yizhi 潘一志 2009. Pan Yizhi Wenji 潘一志文集 [zbiór pism Pan Yizhi]. Chengdu 成都: Sichuan Chuban Jituan 四川出版劇團.
  15. Schellenberg, Murray Henry 2012. „Does Language Determine Music in Tone Languages”. Ethnomusicology, Vol 56, No. 2 (Spring/Summer 2012). Pp 266-278.
  16. Shen Qia 2002. „National Minorities in China’s South and Southwest: Ethnic Groups and Musical Styles”. W: Robert C. Provine [&] Yosihiko Tokumaru [&] J. Lawrence Witzleben (ed.). The Garland Encyclopedia of World Music, Vol. 7, East Asia: China, Japan, and Korea. New York and London: Routledge.
  17. Wee, L. H. 2007. „Unravelling the relation between Mandarin tones and musical melody”. Journal of Chinese Linguistics, 35 (1). Pp. 128-143.
  18. Wong, P. C. M. [&] R. L. Diehl 2002. „How Can the Lyrics of a Song in a Tone Language Be Understood?”. Psychology of Music, Vol. 30 (2). Pp. 202-209.
  19. Wu Ben 2002. „Archeology and History of Musical Instruments in China.” W: Robert C. Provine [&] Yosihiko Tokumaru [&] J. Lawrence Witzleben (ed.). The Garland Encyclopedia of World Music, Vol. 7, East Asia: China, Japan, and Korea. New York and London: Routledge.
  20. Yip, Moira 2002. Tone. Cambridge: Cambridge University Press.
  21. Yung, Bell 1983. „Creative process in Cantonese opera I: The role of linguistic tones”. Ethnomusicology, 27. Pp. 29-47.
  22. Zeng Xiaoyu曾曉渝 2004. Hanyu Shuiyu Guanxi Lun 漢語水語關係論 [dyskusja nad związkami pomiędzy językiem chińskim i sui]. Beijing 北京: Shangwu Yinshuguan商務印書館.
  23. Zhang Junru 張均如 (ed.) 1980. Shuiyu Jianzhi 水語簡志 (krótki opis języka sui). Beijing 北京: Minzu Chubanshe 民族出版社.