Spis treści
Articles
| From the Editors | |
| Maciej Jabłoński, Ryszard J. Wieczorek | 13-14 |
| Music between nature and culture | |
| Ludwik Bielawski | 15-38 |
| Music: a natural phenomenon or a cultural invention? A few remarks on the currency of the polemic and its musicological consequences | |
| Piotr Podlipniak | 39-56 |
| Democritus’ hypothesis’ of the origins of music | |
| Sławomira Żerańska-Kominek | 57-70 |
| Biological and social aspects of the theoretical thought of Richard Wallaschek | |
| Bożena Muszkalska | 71-80 |
| Reference to the realm of nature in the theoretical reflections and the music of Ludomir Michał Rogowski | |
| Ewa Wójtowicz | 81-92 |
| The notion of nature in modern music theory and history as seen hy Carl Dahlhaus and Karol Berger | |
| Alicja Jarzębska | 93-108 |
| On the tenors of the symphony of nature-culture | |
| Piotr Dahlig | 109-118 |
| The muzykant as a product of nature and of culture | |
| Zbigniew Jerzy Przerembski | 119-136 |
| Easter horseback processions in Upper Lusatia - from ‘waking’ nature to the religious and national idea | |
| Tomasz Nowak | 137-150 |
| Fractals and music. A reconnaissance | |
| Iwona Lindstedt | 151-172 |
| Goreckïs creative journeys between nature and culture. Around the ‘Copernicari Symphony | |
| Teresa Małecka | 173-188 |
| Krzysztof Penderecki’s Eighth Symphony, ‘Lieder der Vergänglichkeit’ - from inspiration by nature to existential reflection | |
| Regina Chłopicka | 189-202 |
| George Crumb - between reflection upon nature and contemplating it | |
| Marta Szoka | 203-216 |
| Karlheinz Stockhausen’s stage cycle Licht. Musical theatre of the world | |
| Agnieszka Draus | 217-226 |
| The spectralism of Gerard Grisey: from the nature of the sound to the nature of listening | |
| Justyna Humięcka-Jakubowska | 227-252 |
| On the genesis of absolute pitch | |
| Sylwia Makomaska | 253-270 |
| Investigating the pitch strength of short pur e-tone pulses in middle frequency range through their chroma recognition by absolute-pitch listeners | |
| Andrzej Rakowski, Piotr Rogowski | 271-278 |
