Nagłowek strony

Nr 8 (2009)

Spis treści


From the Editors PDF
Maciej Jabłoński, Ryszard J. Wieczorek 13-14
Music between nature and culture PDF
Ludwik Bielawski 15-38
Music: a natural phenomenon or a cultural invention? A few remarks on the currency of the polemic and its musicological consequences PDF
Piotr Podlipniak 39-56
Democritus’ hypothesis’ of the origins of music PDF
Sławomira Żerańska-Kominek 57-70
Biological and social aspects of the theoretical thought of Richard Wallaschek PDF
Bożena Muszkalska 71-80
Reference to the realm of nature in the theoretical reflections and the music of Ludomir Michał Rogowski PDF
Ewa Wójtowicz 81-92
The notion of nature in modern music theory and history as seen hy Carl Dahlhaus and Karol Berger PDF
Alicja Jarzębska 93-108
On the tenors of the symphony of nature-culture PDF
Piotr Dahlig 109-118
The muzykant as a product of nature and of culture PDF
Zbigniew Jerzy Przerembski 119-136
Easter horseback processions in Upper Lusatia - from ‘waking’ nature to the religious and national idea PDF
Tomasz Nowak 137-150
Fractals and music. A reconnaissance PDF
Iwona Lindstedt 151-172
Goreckïs creative journeys between nature and culture. Around the ‘Copernicari Symphony PDF
Teresa Małecka 173-188
Krzysztof Penderecki’s Eighth Symphony, ‘Lieder der Vergänglichkeit’ - from inspiration by nature to existential reflection PDF
Regina Chłopicka 189-202
George Crumb - between reflection upon nature and contemplating it PDF
Marta Szoka 203-216
Karlheinz Stockhausen’s stage cycle Licht. Musical theatre of the world PDF
Agnieszka Draus 217-226
The spectralism of Gerard Grisey: from the nature of the sound to the nature of listening PDF
Justyna Humięcka-Jakubowska 227-252
On the genesis of absolute pitch PDF
Sylwia Makomaska 253-270
Investigating the pitch strength of short pur e-tone pulses in middle frequency range through their chroma recognition by absolute-pitch listeners PDF
Andrzej Rakowski, Piotr Rogowski 271-278

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