Nr 8 (2009)

Nr 8 (2009)

Opublikowany 2018 października 17

Articles

Maciej Jabłoński, Ryszard J. Wieczorek
13-14
From the Editors
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Ludwik Bielawski
15-38
Music between nature and culture
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Piotr Podlipniak
39-56
Music: a natural phenomenon or a cultural invention? A few remarks on the currency of the polemic and its musicological consequences
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Sławomira Żerańska-Kominek
57-70
Democritus’ hypothesis’ of the origins of music
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Bożena Muszkalska
71-80
Biological and social aspects of the theoretical thought of Richard Wallaschek
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Ewa Wójtowicz
81-92
Reference to the realm of nature in the theoretical reflections and the music of Ludomir Michał Rogowski
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Alicja Jarzębska
93-108
The notion of nature in modern music theory and history as seen hy Carl Dahlhaus and Karol Berger
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Piotr Dahlig
109-118
On the tenors of the symphony of nature-culture
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Zbigniew Jerzy Przerembski
119-136
The muzykant as a product of nature and of culture
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Tomasz Nowak
137-150
Easter horseback processions in Upper Lusatia - from ‘waking’ nature to the religious and national idea
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Iwona Lindstedt
151-172
Fractals and music. A reconnaissance
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Teresa Małecka
173-188
Goreckïs creative journeys between nature and culture. Around the ‘Copernicari Symphony
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Regina Chłopicka
189-202
Krzysztof Penderecki’s Eighth Symphony, ‘Lieder der Vergänglichkeit’ - from inspiration by nature to existential reflection
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Marta Szoka
203-216
George Crumb - between reflection upon nature and contemplating it
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Agnieszka Draus
217-226
Karlheinz Stockhausen’s stage cycle Licht. Musical theatre of the world
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Justyna Humięcka-Jakubowska
227-252
The spectralism of Gerard Grisey: from the nature of the sound to the nature of listening
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Sylwia Makomaska
253-270
On the genesis of absolute pitch
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Andrzej Rakowski, Piotr Rogowski
271-278
Investigating the pitch strength of short pur e-tone pulses in middle frequency range through their chroma recognition by absolute-pitch listeners
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