Vol. 8 (2009)

Published 2018 October 17

Journal cover , volume 8, year 2009

Articles

Maciej Jabłoński, Ryszard J. Wieczorek

13-14

From the Editors

https://doi.org/10.14746/ism.2009.8.1

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Ludwik Bielawski

15-38

Music between nature and culture

https://doi.org/10.14746/ism.2009.8.2

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Piotr Podlipniak

39-56

Music: a natural phenomenon or a cultural invention? A few remarks on the currency of the polemic and its musicological consequences

https://doi.org/10.14746/ism.2009.8.3

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Sławomira Żerańska-Kominek

57-70

Democritus’ hypothesis’ of the origins of music

https://doi.org/10.14746/ism.2009.8.4

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Bożena Muszkalska

71-80

Biological and social aspects of the theoretical thought of Richard Wallaschek

https://doi.org/10.14746/ism.2009.8.5

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Ewa Wójtowicz

81-92

Reference to the realm of nature in the theoretical reflections and the music of Ludomir Michał Rogowski

https://doi.org/10.14746/ism.2009.8.6

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Alicja Jarzębska

93-108

The notion of nature in modern music theory and history as seen hy Carl Dahlhaus and Karol Berger

https://doi.org/10.14746/ism.2009.8.7

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Piotr Dahlig

109-118

On the tenors of the symphony of nature-culture

https://doi.org/10.14746/ism.2009.8.8

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Zbigniew Jerzy Przerembski

119-136

The muzykant as a product of nature and of culture

https://doi.org/10.14746/ism.2009.8.9

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Tomasz Nowak

137-150

Easter horseback processions in Upper Lusatia - from ‘waking’ nature to the religious and national idea

https://doi.org/10.14746/ism.2009.8.10

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Iwona Lindstedt

151-172

Fractals and music. A reconnaissance

https://doi.org/10.14746/ism.2009.8.11

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Teresa Małecka

173-188

Goreckïs creative journeys between nature and culture. Around the ‘Copernicari Symphony

https://doi.org/10.14746/ism.2009.8.12

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Regina Chłopicka

189-202

Krzysztof Penderecki’s Eighth Symphony, ‘Lieder der Vergänglichkeit’ - from inspiration by nature to existential reflection

https://doi.org/10.14746/ism.2009.8.13

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Marta Szoka

203-216

George Crumb - between reflection upon nature and contemplating it

https://doi.org/10.14746/ism.2009.8.14

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Agnieszka Draus

217-226

Karlheinz Stockhausen’s stage cycle Licht. Musical theatre of the world

https://doi.org/10.14746/ism.2009.8.15

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Justyna Humięcka-Jakubowska

227-252

The spectralism of Gerard Grisey: from the nature of the sound to the nature of listening

https://doi.org/10.14746/ism.2009.8.16

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Sylwia Makomaska

253-270

On the genesis of absolute pitch

https://doi.org/10.14746/ism.2009.8.17

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Andrzej Rakowski, Piotr Rogowski

271-278

Investigating the pitch strength of short pur e-tone pulses in middle frequency range through their chroma recognition by absolute-pitch listeners

https://doi.org/10.14746/ism.2009.8.18

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