Opublikowane: 2018-10-17

Articles

From the Editors

Maciej Jabłoński, Ryszard J. Wieczorek

13-14

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Music between nature and culture

Ludwik Bielawski

15-38

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Music: a natural phenomenon or a cultural invention? A few remarks on the currency of the polemic and its musicological consequences

Piotr Podlipniak

39-56

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Democritus’ hypothesis’ of the origins of music

Sławomira Żerańska-Kominek

57-70

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Biological and social aspects of the theoretical thought of Richard Wallaschek

Bożena Muszkalska

71-80

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Reference to the realm of nature in the theoretical reflections and the music of Ludomir Michał Rogowski

Ewa Wójtowicz

81-92

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The notion of nature in modern music theory and history as seen hy Carl Dahlhaus and Karol Berger

Alicja Jarzębska

93-108

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On the tenors of the symphony of nature-culture

Piotr Dahlig

109-118

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The muzykant as a product of nature and of culture

Zbigniew Jerzy Przerembski

119-136

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Easter horseback processions in Upper Lusatia - from ‘waking’ nature to the religious and national idea

Tomasz Nowak

137-150

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Fractals and music. A reconnaissance

Iwona Lindstedt

151-172

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Goreckïs creative journeys between nature and culture. Around the ‘Copernicari Symphony

Teresa Małecka

173-188

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Krzysztof Penderecki’s Eighth Symphony, ‘Lieder der Vergänglichkeit’ - from inspiration by nature to existential reflection

Regina Chłopicka

189-202

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George Crumb - between reflection upon nature and contemplating it

Marta Szoka

203-216

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Karlheinz Stockhausen’s stage cycle Licht. Musical theatre of the world

Agnieszka Draus

217-226

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The spectralism of Gerard Grisey: from the nature of the sound to the nature of listening

Justyna Humięcka-Jakubowska

227-252

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On the genesis of absolute pitch

Sylwia Makomaska

253-270

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Investigating the pitch strength of short pur e-tone pulses in middle frequency range through their chroma recognition by absolute-pitch listeners

Andrzej Rakowski, Piotr Rogowski

271-278

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