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Abstract
The text presents the main aesthetic theses of Karol Irzykowski, concerning the work of art. Karol Irzykowski (1873-1944) - the Polish writer, critic and theorist of literature, art and culture - considered the work of art as the specific object of culture, as the source of human aesthetic experience and, at the same time, of cognition. He admitted the art, first of all, as the result of intellectual action. That is why, the primary thesis of his aesthetics underlines the connection between the aesthetic and epistemological qualities in the work of art. The text characterises this connection and refers to the philosophical tradition, important for the ideas of Karol Irzykowski.References
JADWIGA BOCHEŃSKA: Estetyka filmowa Karola Irzykowskiego, w: Studia z dziejów estetyki polskiej, 1918-1939, red. S. Krzemień-Ojak, W. Kalinowski, Warszawa: PWN, 1975, s. 261-279.
WOJCIECH GŁOWALA: Sentymentalizm i pedanteria. O systemie estetycznym Karola Irzykowskiego, Wrocław: Wrocławskie Towarzystwo Naukowe, 1972.
KAROL IRZYKOWSKI: [CS] Czyn i słowo. Glossy sceptyka, w: Pisma, część 1, red. A. Lam, Kraków: Wydawnictwo Literackie, 1980.
KAROL IRZYKOWSKI: [PR] Pisma rozproszone, tomy I-IV, w: Pisma, część 8, red. A. Lam, Kraków: Wydawnictwo Literackie, 1998-1999.
KAROL IRZYKOWSKI: [SP] Słoń wśród porcelany. Studia nad nowszą myślą literacką w Polsce, w: Pisma, część 3, red. A. Lam, Kraków: Wydawnictwo Literackie, 1976.
KAROL IRZYKOWSKI: [WT] Walka o treść. Studia z literackiej teorii poznania. 1. Zdobnictwo w poezji. 2. Treść i forma, w: Pisma, część 2, red. A. Lam, Kraków: Wydawnictwo Literackie, 1976.
ALEKSANDER KUMOR: Karol Irzykowski, teoretyk filmu, Warszawa: WAiF, 1965,
RYSZARD Nycz : Język modernizmu. Prolegomena historycznoliterackie, Wrocław: Fundacja na Rzecz Nauki Polskiej, 2002.
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