No. 42 (2024)

No. 42 (2024)

Published 2025 May 19
Journal cover Przestrzenie Teorii, no. 42, year 2024
Spis treści
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Editorial

Anna Krajewska
7-13
Thinking with colour, seeing with sound
https://doi.org/10.14746/pt.2024.42.0
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Dissertations

Dorota Wojda
1-54
Bees in the “Bad Hive”. Anamnesis of Bolesław Leśmian
https://doi.org/10.14746/pt.2024.42.1
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Justyna Bajda
55-69
To Tadeusz Estreicher. The colour blue in the creative process of Stanisław Wyspiański
https://doi.org/10.14746/pt.2024.42.2
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Marian Bielecki
71-99
Alienation and Apocalypse. Sartre and Gombrowicz
https://doi.org/10.14746/pt.2024.42.3
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Aleksandra Reimann-Czajkowska
101-118
“Tell me yet why you love Chopin…” Stanisław Ignacy Witkiewicz’s and Witold Gombrowicz’s remarks on the reception of music
https://doi.org/10.14746/pt.2024.42.4
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Bożena Tokarz
119-131
Trought the Lens of the Emotional-Cognitive Complex (Inspirations from the Duda-Gracz to Chopin Exibition
https://doi.org/10.14746/pt.2024.42.5
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Beata Dorosz
133-152
On the unknown backstory of The Life and Death of Chopin (in light of Kazimierz Wierzyński’s correspondence)
https://doi.org/10.14746/pt.2024.42.6
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Wojciech Ligęza
153-165
Bruegel, Caravaggio, van Gogh and Others. Themes of Painting in the Late Kazimierz Wierzyński’s Poetry
https://doi.org/10.14746/pt.2024.42.7
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Aleksandra Zdanowicz
167-188
“She would be a reservoir, a con- tainer capable of containing various forms, tones and voices”. Marek Bieńczyk’s mournful discourse
https://doi.org/10.14746/pt.2024.42.8
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Rafał Jakub Skowroński
189-206
“Quasi-memories”. Autothematicism and the Category of Challenge in Stanisław Lem’s Highcastle
https://doi.org/10.14746/pt.2024.42.9
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Wojciech Baluch
207-224
From social injustice to epistemic justice – Polish post-traumatic drama
https://doi.org/10.14746/pt.2024.42.10
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Jacek Wachowski
225-240
Literature and technology. Playing with text / playing for text
https://doi.org/10.14746/pt.2024.42.11
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Małgorzata Jankowska
241-268
Literature as a battlefield. The case of Judas Iscariot
https://doi.org/10.14746/pt.2024.42.12
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Krystian Saja
269-288
The theory of amalgams in literary studies and its application on the example of the Gothic novel The Castle of Otranto by Horace Walpole
https://doi.org/10.14746/pt.2024.42.13
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Jakub Rawski
289-306
Roman Polański’s The Fearless Vampire Killers Towards Literary and Film Ancestors in The Context of Roman Ingarden’s Aesthetic Concepts
https://doi.org/10.14746/pt.2024.42.14
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Critical Scene

Anna Chęćka
309-326
The shock of the incomparable? A sketch from (musicological) translation criticism
https://doi.org/10.14746/pt.2024.42.15
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Kacper Kutrzeba
327-344
Introduction to the theory of Roberto Schwarz
https://doi.org/10.14746/pt.2024.42.16
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Marek Hendrykowski
345-355
McLuhan’s concept of contemporary culture
https://doi.org/10.14746/pt.2024.42.17
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Lista recenzentów

Przestrzenie Teorii
Lista recenzentów
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