Keywords
agonistic theater
Cavalleria rusticana
dramaturgy
How to Cite
Abstract
The author aims to outline the dramatic work of the Italian director Pippo Delbon as establishing a theater of agon. From the state of research, she analyzes the staging of Pietro Mascagni’s Cavalleria rusticana and formulates the theory of Delbonos’s theater of agon based on M. de Certeau’s and W. Świątkowska’s papers and the theories of dramaturgy of Anna Krajewska and Dariusz Kosiński.
References
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de Certeau M., Wynaleźć codzienność. Sztuki działania, przeł. K. Thiel-Jańczuk, Kraków 2008.
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Kosiński D., Performatyka. W(y)prowadzenia, Kraków 2019.
Krajewska A., Dajcie mi dramat, a poruszę świat, [w:] Dramaturg w teatrze, literaturze, sztuce, Poznań 2018, s. 207–225.
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Merczyński J., Opera jest więzieniem, „Rzeczpospolita” 23 września 2004, nr 224, http://www.encyklopediateatru.pl/artykuly/20800/opera-jest-wiezieniem (dostęp: 19.10.2021).
Motta F., Punta al cuore la Cavalleria Rusticana di Pippo Delbono al Teatro San Carlo di Napoli, „Il Sole 24 ore online” 17 lipca 2012, https://www.pippodelbono.it/opera/item/38-cavalleria-rusticana.html (dostęp: 19.10.2021).
Świątkowska W., Dramaturgia przestrzeni, [w:] Dramaturg w teatrze, literaturze, sztuce, red. W. Baluch, A. Krajewska, Poznań 2018, s. 45–58.
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