Keywords
film archiwalny
film historyczny
nowy historyzm
kultura audiowizualna
How to Cite
Abstract
Is filmography a personal hobby of archivists or an integral part of film history? Based on the analysis of the achievements in this field from the last two decades, Marek Hendrykowski interprets filmography as an important part of contemporary film studies. Filmographic research shows at a glance what was precisely happening in the film world. This kind of knowledge and important information based on various authentic sources is something absolutely necessary in the scientific procedures of film research. Film history needs authentic facts as its basis and source of constant inspiration. This is why catalogues, registers, indexes and books including filmographic information are called indispensable companions in archival film research and standard works of reference in the world’s film archives and all film libraries.References
H. Birett, Das Filmangebot in Deutschland 1895–1911, München 1991.
J. Gartenberg, Glossary of Filmographic Terms, Brussels, FIAF 1991 i następne wydania.
H. Bousquet, Catalogue Pathé des années 1896 à 1914, vol. 1-4, Paris 1996.
D. Gifford, The British Film Catalogue 1895–1985, London 1986.
Archivio del cinema italiano, vol. I: Il cinema muto 1905–1931, a cura di A. Bernardini, Roma 1991.
The Lost World of Mitchell & Kenyon. Edwardian Britain on Film, ed. V. Toulmin, P. Russell, S. Popple, London 2004.
Svensk filmografi, t. 1-7, ed. L. Åhlander, L. Furhammar i in., Stockholm–Uppsala 1986–1989.
M. Hendrykowska, Śladami tamtych cieni. Film w kulturze polskiej przełomu stuleci 1895–1914, Poznań 1993.
K. Kornacki, Popiół i diament, Gdańsk 2011.
M. Hendrykowski, Eroica, Poznań 2011.
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