Keywords
ekfraza
obraz
teoria
How to Cite
Abstract
The article – in its first part titled The space of theory – brings a discussion and interpretation of the theoretical views concerning ekphrasis formulated by W.J.T. Mitchell in the essay Ekphrasis and the Other. The second part of the article – The space of practice and the space of picture – aims to make an attempt at a practical application of Mitchell's theoretical postulates. To the reading in the spirit of his theoretical considerations is submitted the description of Jean-Baptiste Greuze’s picture A Girl with a Dead Canary, which we find in Denis Diderot's Salon 1765.References
W.J.T. Mitchell, Ekphrasis and the Other, [w:] tenże, Picture Theory. Essays on Verbal and Visual Representation, Chicago–London 1994, s. 152-156.
W.J.T. Mitchell, Going Too Far with the Sister Arts, [w:] Space, Time, Image, Sign, ed. by J. Heffernan, New York 1987
W.J.T. Mitchell , Word and Image, [w:] Critical Terms of Art History Writing, ed. by R.S. Nelson, R. Schiff, Chicago– London 2003.
E. Kuryluk, Weronika i jej chusta. Historia, symbolizm i struktura „prawdziwego” obrazu, Kraków 1998, s. 26-27, 29.
M. Bal, Light in Painting. Disseminating Art History, [w:] Deconstruction and the Visual Arts. Art, Media, Architecture, ed. By P. Brunette, D. Wills, Cambridge 1994, s. 52.
M. Bal, Reading Rembrandt. Beyond the Word-Image Opposition, Amsterdam 2006.
J.A.W. Heffernan, Museum of Words. The Poetics of Ekphrasis from Homer to Ashbery, Chicago–London 2004, s. 78.
M. Krieger, Ekphrasis. The Illusion of the Natural Sign, emblems by J. Krieger, Baltimore–London 1992, s. 11.
G.F. Scott, The Rhetoric of Dilation. Ekphrasis and Ideology, „Word and Image” 1991 (Vol. 7), nr 4, s. 301.
P. Wagner, Introduction: Ekphrasis, Iconotexts, and Intermediality – the State(s) of the Art(s), [w:] Icons – Texts – Iconotexts. Essays on Ekphrasis and Intermediality, ed. by P. Wagner, Berlin–New York 1996, s. 12
D. Carrier, Principles of Art History Writing, University Park (Penn.)1997, s. 8
A. Dziadek, Obrazy i wiersze. Z Zagadnień interferencji sztuk w polskiej poezji wspołczesnej, Katowice 2004
B. Fort, Ekphrasis as Art Criticism. Diderot and Fragonard’s „Coresus and Callirhoe”, [w:] Icons – Texts – Iconotexts.
D. Diderot, Salon 1765 roku, przeł. J. Stadnicki, wybór, wstęp, oprac. A. Pieńkos, red. P. Juszkiewicz, Warszawa 2009, s. 62.
J.A.W. Heffernan, Cultivating Picturacy. Visual Art and Verbal Interventions, Waco 2006, s. 53.
M. Fried, Absorption and Theatricality. Painting and Beholder in the Age of Diderot, Berkley–Los Angeles 1980, s. 59, 60
B. Fort, Accessories of Desire. On Indecency in a Few Paintings by Jean-Baptiste Greuze, „Yale French Studies” 1998, 94, s. 146.
E i J. de Goncourt, Sztuka XVIII wieku, wybór, przekł. wstęp i komentarz J. Guze, Warszawa 1981, s. 144.
A.K. Wettlaufer, In the Mind’s Eye. The Visual Impulse in Diderot, Baudelaire and Ruskin, Amsterdam–New York 2003, s. 108.
M.P. Markowski, Ekphrasis. Uwagi bibliograficzne z dołączeniem krotkiego komentarza, „Pamiętnik Literacki” 1999, z. 2, s. 230.
S. Harrow, New Ekphrastic Poetics, „French Studies” 2010, (Vol. 64), nr 3, s. 258-259.
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