Keywords
dramat
teatr
performatyka
How to Cite
Abstract
By approaching Ślub (The Marriage) as an epistemological dilemma of a human being who has been caught in a trap of the stage, the author proposes to reread and interpret a new W. Gombrowicz’s drama from a performative perspective. While relating to the title of Tadeusz Kantor’s cricotage Ślub w manierze konstruktywistycznej i surrealistycznej (A Wedding in the Constructivist and Surrealistic Style), the author aims to demonstrate the multi-faceted performative impact of Gombrowicz’s drama within the context of the dissolution of the principles and referential forms of metatheater.References
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J. McKenzie, Performuj albo… Od dyscypliny do performansu, wstęp i przekład T. Kubikowski, Kraków 2011.
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