Abstract
The essay explores a theme of differences between the two Witkiewiczes – father and son. These disparities concern lifestyle, ethics, politics and art. The father wanted his son to realize his own ideas of art. In the son’s opinion the father’s idea had failed and in turn he invented an even more radical aesthetics. Lovran is a place where the basic categories of Witkacy’s theory of Pure Form were formulated.References
S.I. Witkiewicz, Listy do syna, oprac. B. Danek-Wojnowska, A. Micińska, Warszawa 1969, s. 215.
S.I. Witkiewicz, Dzieła zebrane, t. I: 622 upadki Bunga, czyli Demoniczna kobieta, oprac. A. Micińska, Warszawa 1992, s. 184-185, 193.
D. Blažina, Stanisław Witkiewicz i Lovran, [w:] Stanisław Witkiewicz u Lovranu, Zagreb 1998, s. 51.
Stanisław Witkiewicz. Człowiek – Artysta – Myśliciel, red. Z. Moździerz, Zakopane 1997, s. 228.
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