Abstract
The editorial discusses the volume’s assumptions and goals by briefly characterizing the covered issues (digital archive, liberature, literary reading of history, literary entanglement, relationships between literature, film, the theater, and video games) conceptualized in various research perspec-tives. The problem of the role of applying operational notions, such as re-enactment, remixability, indeterminacy, possibility, potentiality, virtuality, etc., which are used in attempts at creating a new onto-epistemology, are also considered. Therefore, literature is a constant performative re-enactment of the process of making the entangled world present. In this process, literature constantly reestabishes the world of different possibilities of existing.
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