Abstract
This editorial is devoted to the issues of contemporary, anti-binary ways of seeing the avant-garde, presenting arguments for the simultaneous existence and annihilation of the concept of the avant-garde, and for creating the avant-garde from scratch. After discussing the articles presented in the issue, we put forward the thesis that the avant-garde opened up literature that escaped from the confines of definitions, becoming “entangled art”, literature understood as a possibility.
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