No. 3-4 (2004)

No. 3-4 (2004)

Published 2017 December 30

Dissertations

Bożena Tokarz
9-19
The Absurdity of Being-on-the-Run
https://doi.org/10.14746/pt.2004.3.1
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Danuta Ulicka
21-42
The narrative and non-narrative conception of discourse of literary studies
https://doi.org/10.14746/pt.2004.3.2
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Anna Krajewska
43-69
Dramatic cognition
https://doi.org/10.14746/pt.2004.3.3
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Paweł Dudziak
71-84
Pan Soplica as a mask of Henryk Rzewuski's pseudonym
https://doi.org/10.14746/pt.2004.3.4
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Adrian Gleń
87-99
Man and Being. On delimiting the subjectivity in Czesław Miłosz's later poetry
https://doi.org/10.14746/pt.2004.3.5
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Adam Dziadek
101-114
Narration and identity - the case of Roland Barthes
https://doi.org/10.14746/pt.2004.3.6
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Seweryna Wysłouch
115-135
From the picture to a maxim. On graphic art of Sławomir Mrożek
https://doi.org/10.14746/pt.2004.3.7
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Paweł Gogler
137-152
Troubles with ekphrasiś
https://doi.org/10.14746/pt.2004.3.8
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Marek Hendrykowski
153-173
„Rejs" (The Cruise) as a genre
https://doi.org/10.14746/pt.2004.3.9
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Andrzej Gwóźdź
175-189
Media - theatre/spectacle
https://doi.org/10.14746/pt.2004.3.10
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Jacek Popiel
191-213
Artistic programme of Rhapsody Theatre
https://doi.org/10.14746/pt.2004.3.11
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Dariusz Kosiński
215-225
Theatre in 21st Century -- Towards New Definitions
https://doi.org/10.14746/pt.2004.3.12
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Elżbieta Wesołowska
227-237
Senecan „noli me tangere"
https://doi.org/10.14746/pt.2004.3.13
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Tomasz Mizerkiewicz
239-251
Towards reported direct speech (dialogue in the Polish contemporary prose)
https://doi.org/10.14746/pt.2004.3.14
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Roman Murawski
253-260
What do mathematicians dispute about, or on the ontological status of the objects of mathematics
https://doi.org/10.14746/pt.2004.3.15
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Presentations

Regina Lubas-Bartoszyńska
263-277
Philippe Lejeune, Catherine Bogaert, The history of a certain practice „Un journal à soi" (Paris 2003, Ed. Textuel, p. 214, album)
https://doi.org/10.14746/pt.2004.3.16
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Tamara Brzostowska-Tereszkiewicz
279-321
Comparative Literature vs. Translatology. A Survey of Approaches
https://doi.org/10.14746/pt.2004.3.17
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Interpretations

Marcin Rychlewski
325-335
Who is "the author" "The Dark Of The Moon"? About the sender in rock music
https://doi.org/10.14746/pt.2004.3.18
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Dariusz Piotr Klimczak
337-367
Meditations on emptiness. The Buddhist contexts in Samuel Becketts's „The Endgame" and „Happy Days"
https://doi.org/10.14746/pt.2004.3.19
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Translations

Olga Freidenberg, Bogusław Żyłko
371-386
Pochodzenie liryki greckiej
https://doi.org/10.14746/pt.2004.3.20
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