SOME OBSERVATIONS ON T.S. ELIOT’S MURDER IN THE CATHEDRAL
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Schlagworte

Eliot Murder in the Cathedral
Aeschylus Agamemnon
Louis MacNeice
Wyndham Lewis

Zitationsvorschlag

Schade, G. (2017). SOME OBSERVATIONS ON T.S. ELIOT’S MURDER IN THE CATHEDRAL. Symbolae Philologorum Posnaniensium Graecae Et Latinae, 26(2), 143–151. Abgerufen von https://pressto.amu.edu.pl/index.php/sppgl/article/view/7709

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Abstract

Louis MacNeice translated Aeschylus’ Agamemnon in such a way that some were reminded of T.S. Eliot’s play
Murder in the Cathedral. Both plays were staged in the mid-1930s in England, and the authors corresponded
with each other. At first sight, this is the story of a minor figure imitating greater stylishness. A closer analysis,
however, reveals that Eliot drew largely on Aeschylus’ Agamemnon. This is new, yet on second thoughts, not
surprising: being obsessed by heritage and tradition, Eliot was surely a fervent reader of classical tragedies,
perhaps even a fine connoisseur. Nevertheless, there is another story, lurking in the background so to say, this
time about a great poet indebted to a subtle and sensitive mind.

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Literaturhinweise

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